The Titular Devil, With Hand

The Titular Devil, With Hand

Sunday, October 17, 2010

Some More Yark For You...



Here's a second Yark Excerpt...As You'll recall Snash just got away from Glolob...If you'd like to see all the illos here's a link to a slideshow I posted on Youtube...http://www.youtu...be.com/user/TheBigLebbowskii#p/a/u/1/FuS1qgeDUuI

Yark is available on Amazon, by the way.

Chapter 3: Postal
Snash wandered some and got more directions that he didn’t trust but followed anyway, for lack of a better plan, but as luck would have it, he’d gotten them from a bull who wasn’t trying to trick him, and they weren’t bad...he passed several runts all running the same way, carrying either scrolls or packages, with motivators laboring to keep up with them; guessing they must’ve come from the mail room, he went the way they’d come, and presently he was eyeing a pointed arch with an inscription above it that spelled out Mail Room in runes. Two lofty iron-shod doors stood open; a guard with a pike was leaning against the one on the left. The activities that Snash could see inside appeared to be perfectly consistent with the notions of postality implanted in his head…but when he tried to go in, the guard lowered his weapon, squinting at him.
Snash pointed to the grease mark on his chest. “I was assigned here.”
“What’s the password, you quarter cup of piss?” the bull demanded.
Snash bit his lip…had they given him one?
“They didn’t say anything about a password,” he replied.
“Then you’ll just have to go back and ask ’em---”
Wearing a long hide apron and elbow-length gloves, looking very tired and stressed, a brain with huge bags under his eyes stepped up behind the guard. “Stop that shit, Grutnug.”
“Just having a little fun, Nizhnikh,” Grutnug said, and raised the polearm… but when Snash started to go by, Grutnug suddenly bared his long yellowish fangs and barked, and Snash flung himself back against one of the doors.
“Let him through,” Nizhnikh told the guard wearily.
Grutnug just laughed, and turned. Snash slid sideways along the door, into the room.
“Report to Postmaster Khuttarh,” said Nizhnikh.
“Where can I find him?” Snash asked.
Nizhnikh pointed, said: “Up those stairs,” and started to head off.
“But,” cried Snash after him, “I don’t have any breeks!”
Nizhnikh kept going---undoubtedly he didn’t give a damn about Snash, or his breeklessness...in all likelihood, and if he and Grutnug hadn’t already been at odds, he’d never have intervened on Snash’s behalf. Even so, Snash called:
“Won’t I make a bad impression if my ass is hanging out?”
But even this argument failed to get a response from the brain.
Feeling very naked, Snash headed towards the stairs, which led up to a shelf far up along the lefthand wall. Everywhere he saw yarks looking about as hectored and harried as Nizhnikh...scrolls, parcels, packets, and packages of all sizes were tumbling out of openings in the walls and landing in large bins attended by bulls with big flat shovels; driven by brains, carts drawn by creatures rather like giant horned toads pulled alongside the bins, whereupon the bulls shovelled mail into the vehicles…once the carts were full, the brains drove them away…as Snash mounted the steps, he saw that they were all converging on an area in the center of the room, where, he guessed, the mail was being sorted…he glimpsed all kinds of other arrangements for doing other postal things, and many comings and goings, but before he could make much sense of them, he was at the top.
In the wall at the back of the shelf was a deep torchlit recess, the brands set in a wheel that depended from the ceiling on a chain; along the sides of the cave were tall racks filled with piled scrolls. Towards the rear was a black stone writing desk, carved with intricate motifs of grotesque horned demonic scribes drafting and sending missives, and other demons, having received these communications, grinning as they gleaned undoubtedly sinister information from them. Behind the desk, a black-hooded swarthy man with a long hooked nose was scribbling away furiously with a four-foot long quill pen whose black plume swooshed through the air...it was some moments before he became aware of Snash, and gave him a glare that was worse than anything Snash had ever seen on a yark…still, even though the man was no longer looking at the page, he continued scratching at it, and didn’t stop for a while.
“Come closer,” he said at last, and beckoned with a long bony sharp-nailed finger.
Snash stepped nearer…depositing his quill in an inkwell shaped like a fat little yark who was getting something thrust into its head, the man asked:
“You realize I’m the Postmaster?”
Snash nodded.
“Why then have you come to see me with no breeks?” Khuttarh asked.
“I’m sorry, sir---”
“As well you should be. It makes a very poor impression, let me tell you.”
“Nizhnikh sent me up here---”
“Like that? With your yark-crotch clearly visible, and most offensive to my delicate eyes?” Khuttarh leaned forward, pointing emphatically with inch-long fingernails to the dark-rimmed offended orbs.
“Yes, sir,” said Snash, wondering if he’d been the victim of yet another joke.
“Well, perhaps it’s true…Nizhnikh gives every sign of being thoroughly burnt out. It is very stressful, working down here. Still…”
“Still, sir?”
“I am the Postmaster of Mount Adamant, the Lord of the Mail, and will not be mocked. No one shows Khuttarh their crotch and lives. Stunkrog! Smazhgug!”
All at once, two cunningly-concealed trapdoors opened in the floor, on either side of Snash, and two huge bulls in lamellar armor leaped out…Snash started to backpedal out from between them, but they were very quick, and reached out with their long, long arms, snatching him before he got too far.
“Stunkrog!” Khuttarh said. “Fetch Nizhnikh.”
One of them grunted and left, whereupon Khuttarh, acting exactly as though there was no one else in the cave with him, started a new letter…shortly Stunkrog returned with Nizhnikh, whom Khuttarh immediately asked:
“Did you send that runt---” he pointed at Snash, “---in here starkers?”
“Never seen him before,” said Nizhnikh.
“How did he know your name?” Khuttarh asked.
“How should I know?” Nizhnikh replied.
“He’s lying!” Snash squeaked.
“Why would I send a naked runt up here?” Nizhnikh asked.
“Because you’re burnt out, and you don’t care any more,” answered Khuttarh.
“If I don’t care any more, why would I lie?” Nizhnikh asked.
“Because you’re too burnt out to think things through.”
Nizhnikh shrugged. “I need a vacation.”
“As your superior, I take your vacations for you.”
“That’s why I need one,” said Nizhnikh. “At full pay.”
“As you know full well, your pay is held in perpetual trust, to make sure that you invest in the future.”
“I think,” said Nizhnikh, “that I’d rather get paid in the present. But---” He reached suddenly behind his apron and yanked out a miniature crossbow, “I could just start killing everyone, and settle for that!”
He aimed the weapon at Khuttarh, but Stunkrog tried to grab it; Nizhnikh ducked, there was a moment of struggle, the crossbow thapped! and Stunkrog fell with a bolt in his knee. Even as Smazhgug let go of Snash and drew his scimitar, Nizhnikh pulled a knife from somewhere and slipped round the desk, getting behind Khuttarh and putting the blade to his throat.…Smazhgug halted.
“All right,” Khuttarh said. “Now what?”
“Catch!” cried Nizhnikh to Snash, and tossed him his miniature crossbow. Snash plucked it from the air. “Pull the cord back!”
Snash pulled it back till the mechanism clicked. Then Nizhnikh threw him a quarrel. “Load it!”
Snash laid the missile in the groove.
“Maggot!” cried Stunkrog from the floor, gripping his knee.
Snash lifted the weapon, and pointed it at Khuttarh.
“You wouldn’t dare!” cried the Lord of the Mail.
Wouldn’t I? Snash thought, then decided: No, and shifted his aim a bit to the side, towards Nizhnikh’s face. He had, of course, no experience with crossbows, (although he did have some ideas about them) and he fired a bit before he should’ve…the bow jumped in his claw and rather startled him. But the quarrel went right through Nizhnikh’s ear, and that was good enough as it turned out; Nizhnikh yowled and dropped his knife, Khuttarh slid away, and Smazhgug got behind the desk and put Nizhnikh down with a slash to the jaw, giving him several more blows after he hit the floor.
Rubbing his throat, Khuttarh looked at Snash.
“You still going to kill me, sir?” Snash asked.
Khuttarh shook his head. “Since you saved me just now, I’ll forget about seeing your crotch...you’ll be snuffed out soon enough. Find someone to tell you your duties. And get some clothes.”
Snash started off, but Khuttarh said, “wait,” and scribbled something on a small parchment, then handed it to Snash. “Show that to the outfitters.”



Snash went back downstairs, but no one wanted to help him, even after he brandished Khuttarh’s name at them; eventually, though, while he was making his fourth circuit of the mail room, one of the brains, saying he was “sick of seeing his bum,” directed Snash to the chamber where the post-yarks (including the runners and their motivators) were outfitted.
There he was issued mail room runt-gear---a tunic, light shoes with treads on the soles, a belt with several scabbards with knives of different shapes tucked into them, and a leather helmet with a moveable visor. In addition, he was given a sack of small wooden blocks with parchment along one side, which could be peeled away to reveal some kind of very sticky stuff. However, when he asked what those, and various other items, were for, he got answers that were obviously false. Moreover, some of his gear was defective; when he tried to fasten the belt, the buckle fell apart, and the helmet’s visor came off one of its hinges when he tried to flip it down. The brain behind the counter didn’t want to hand out any replacements, either, so Snash just had to settle for a visor that hung down on the left, and a belt that he had to knot---luckily, he was so thin that there was enough slack.
Back in the main chamber, he finally attached himself to another runt, who, as it turned out, was also named Snash, although he was somewhat older and had a vile temper, having been, apparently, considerably soured by his experiences…even after Snash explained that he was simply trying to learn what a mail room runt did, the other Snash simply went about his business in a surly fashion and tried to be unhelpful, frequently in some very dangerous ways.
Even so, Snash learned quite a bit. The primary function of a mail room runt was to climb (chimney, actually) up inside the mail chutes----there were scores---and rectify the frequent blockages. Thanks to small pockets of luminous material embedded at intervals in the walls, there was just enough light for yarks---who didn’t require much---to see; during his first shift, Snash followed the other Snash up five separate chutes, and the other Snash, prying parcels and packages loose, made every attempt to send them straight down at Snash and dislodge him at the very least.
But Snash kept at it, and made some close observations---it was very important to remove the bottommost parcels with the utmost care, so as to keep the whole blockage, which was sometimes quite large, from falling down all at once. To this end, the other Snash made use of those sticky blocks, which he attached to the walls, to hold certain items in place until he was ready to remove them. Even so, in the fifth chute, everything came loose too suddenly; thrust downwards by a great mass of mail, the other Snash landed on Snash, and the two of them slid down hundreds of yards before they finally spilled out into the bin at the bottom…having had a good deal of time to think about what he was going to do when he reached bottom, Snash rolled out from under his alter ego before the other Snash could really settle, and the packages could really settle on him…Snash was over the rim of the bin before he knew it, looking back at the stuff coming down, the other Snash already completely buried…the whole bin, which had been mostly empty when the avalanche started, just about filled up.
Snash looked to a shoveller who was standing beside the bin.
“The other Snash is under there!” Snash said. “Dig him out!”
“No hurry,” said the shoveller. “That was a lot of mail….Might as well wait till the next wagon comes up…” He grinned. “That was a neat trick, you getting out of there like that…never seen one of you runts survive a mailslide that big.”
Snash looked past him, saw another shoveller beckoning. “Hey you, runt!” said the bull. “Blockage!”



Fortunately for Snash, it wasn’t too high or too much, and when he came back down, it was shift-change…the day crew (Snash knew what day was, abstractly, although he never expected to live long enough to be blinded by one) was coming in, smaller than the night crew---even though Lord Serpentar did his level best to keep things shadowy in Tenebria, things simply slowed down when the sun was abroad, and less mail arrived.
Tagging along with the other members of his crew, Snash, simply famished, was delighted when their motivators whipped them directly into the mail yark’s mess hall. Even though he was barely tall enough to slide his pig-iron tray along the railing, he managed, and stayed well back with the other runts...having tucked their whips into their belts, the motivators were up front, pushing trays themselves.
There were two main courses---fell beast-flesh, and the clawed scaly feet of some kind of great bird. Word was that there was man-flesh from time to time, but that was rather a delicacy, and today, at any rate, was not the day. There was also fell-beast cheese, and extremely hard tack, which came with small hammers and chisels. As for drink, there was, in addition to filthy brackish water with oily aftertaste, fell-beast milk and blood; Snash had the flesh, the fell-beast cheese, some tack, and fell-beast blood, and went to sit at one of the runt trestles, which, like all the other tables, was made of rusty rivetted iron.
But even though he was among his own kind, dinner was fairly nerve-wracking; if his tablemates weren’t trying to play practical jokes on him, the other, bulls and brains were trying to play jokes on them, or each other, and there were several eruptions which were quelled only by mace-bearing guards. Snash ate as quickly as he could, although chiselling the hard tack into bite-sized chunks was quite a project…
Upon finishing their meals, the yarks headed off for the mail room barracks. The chamber was very long; five walls ran down the middle of it, looking as though the room had been carved out around them. Two hundred feet tall, they went floor to ceiling, honeycombed with tubelike excavations, sleeping-slips, into which yarks were climbing.
At the front, a couple of brains behind a stone counter assigned spaces and lockers; even though they switched numbers on Snash, he figured out that his locker-number was a tube-number in short order, and after stowing his gear, climbed up to his tube, using handholds that had been gouged into the stone---his berth was the next to last before the ceiling.
He paused before going in; there was a sour smell, but that wasn’t why. Just below the number (which was graven next to the entrance) a chisel had been applied to some other inscription, which was only partially obliterated. Snash thought he could make out the words Hrag-Urshathur, or, roughly translated, He Who Is Much Better.
“Than what?” he muttered.
Than Serpentar, he told himself. Of course…
But he was far too tired to go further with this train of thought, and he climbed into the tube. The smell was, unsurprisingly, much thicker inside; little biting things were all over him in a matter of moments. There was no blanket, although that hardly mattered since it was so hot. All of his neighbors seemed to be snoring, each of them doing it differently, some even barking or hooting. Still, none of this was enough to keep him from falling off, which he did in a matter of moments.



When a horn began to bray, rousing him from his (insufficient) slumber, he realized that he’d been so tired that he’d forgotten to stow his belt, and had fallen asleep on two of his knives, whose scabbards had dug cruelly into his hip; sitting up, he banged his head on the top of the tube. When he took his belt off the scabbards seemed a bit reluctant to leave the dents they had impressed into his flesh. His eyelids felt swollen, and his mouth was vile---he could still taste the fell-beast blood, which seemed to have clotted on his tongue; bits of meat were wedged rather painfully between his fangs. He scratched at his bites, dislodging critters---lice? fleas?---that were still at him.
Outside, the horn stopped braying, but a grating voice started up from beneath:
“Get up, you tapeworms, you dungbats, you earwax pies! Rise and shine! Mail never sleeps!”
It occurred to Snash that mail actually did sleep, sort of, at least during the day, but since there was no one in the tube with him, he didn’t say anything, and forgot all about it as he hung his belt around his neck and climbed down the handholds to the bottom, where the motivators were warming up, doing knee-bends and cracking their whips, some flicking each other just for sport.He was hoping for breakfast, but the whipwielders drove everyone right past the cafeteria and straight to the mail room, where he began another long, dangerous shift. Very much like the night before, the worst blockage saved itself till next to last, and he had to climb very far to find it.
The cause was a large leathery egg-case that someone had simply slapped an address and postage on; how this thing had gotten so far through the system, Snash hadn’t the foggiest, but it had hung up on a couple of sticky-blocks that some other runt had left on the sides of the chute…Snash couldn’t see very far past it, but there appeared to be all sorts of things piled up above it, some of them leaking.
Worse yet, even as he approached, whatever was in the egg started to wake up, and snarl, and push the sides of its flexible prison, bulging them out in one spot after another. A rip opened; a long continuous string of goo streamed out, much thicker and smellier than the other stuff that was leaking down; suddenly the tear got wider, and something long, dark and glistening that Snash never got a very clear impression of came slithering out, blurring past him down the chute.
Looking up, he saw the egg-case yielding to the pressure from above, slipping from the sticky-blocks now that it was emptied; he heard things sliding and shifting…the egg-case came sliding down, followed by two small packages. Flattening himself against the side of the chute, he helped them on their way.
After that, things seemed to have stabilized themselves up there; he had just begun to chimney back up when he realized that something was biting his left shoe. Looking down, he saw it was that long glistening thing. He whipped it back and forth at the end of his leg, smacking it against the wall…it let go, slid down a few yards, then came back up at him. He climbed a bit farther, halting right under the sticky-blocks, the other packages jammed right over his head…wedged against the walls, he pulled a knife and stabbed at the creature…it refused to die and got up past the knife, sliding all over him wherever he wasn’t pressed flush against the chute, pausing only to take little bites. All the while he was trying to stab it, although he got himself half the time; ultimately, he jabbed one of the sticky-blocks by mistake, and between that thrust, and all the weight pressing on it from above, the block came loose, and the mail just started to fall. A long rectangular box, sliding past Snash’s head, swept the creature away; then something came directly and painfully down on his helmet, hurting him even through the lacquered leather, dislodging him…he blacked out for what seemed a few moments.
When he came to, he was jammed sideways in the chute, the mail having coagulated above him; wincing at the pain in his head, he shifted a bit, found that the blockage was pretty solid, and didn’t require him to support it. He went down the chute a bit, waited for his head to stop throbbing, then chimneyed back up, planted some stickys, and worked his way carefully up through the jam, which was not all that big. Then he removed his blocks, went farther and removed the ones the other fellow had left, and headed back down, feeling an odd sense of accomplishment.



During the nights that followed, he struck up conversations with his fellow runts, and even some of the brains, and between that and his own observations, he got a clearer sense of how the mail room (and indeed the whole mail system of Mount Adamant) operated. Urgent messages were passed by runner-motivator teams; less urgent posts were moved in huge lots, on slowly moving service lifts powered by fell beasts. Much of the mail originated inside the fortress, and passed between floors and departments; but the majority of it came from outside Mount Adamant. Serpentar had many vast armies in the field, and pretty much lorded it over the whole world, with the pesky exception of Merriador; all manner of tribute, dispatches, and strange goods and specimens were constantly being received.
Snash proved good at his job, and when he survived thirty shifts, there was much comment on it, since few of the blockage-rectifiers had ever lasted that long before. He managed to get a belt with a functioning buckle and a helmet with a visor hinged on both sides, came to know each and every one of the chutes, and was well aware of their individual peculiarities and particular dangers; judging by the kind of material that came down, he even could even tell which department was using a tube. After a time, he began to develop ideas on how the system could be improved, and tried to share them with anyone who’d listen to him.
But the runts and bulls had no interest whatsoever in making the system work better, and the brains thought runts were too stupid to have any good ideas, and the upshot was that he decided to speak to a higher-up, one of Serpentar’s human servants, and that meant, of course, Khuttarh. It took Snash some time to work up his nerve, but one night while Khuttarh was making his rounds with Stunkrog and Smazhgug, Snash raised his helmet-visor and presented himself to the Lord of the Mail.
“Back to work, you!” snarled Smazhgug.
But the Postmaster raised his hand; Smazhgug subsided, and Khuttarh asked Snash:
“Aren’t you the runt who reported to me naked as a drunken slug?”
Snash nodded. “I also saved you from Nizhnikh, My Lord.”
It was a few moments before Khuttarh answered, almost as if he had forgotten that. But then he said: “Ah, yes…Do you have something to report?”
“I have some suggestions, sir,” Snash replied.
“Suggestions?”
“Meaning no disrespect, sir…things run very smoothly as it is. But anything can be improved, and---”
”What makes you think I’d be interested in your...advice?”
Snash answered: “I’ve survived a hundred and twenty shifts, three times more than any chute-runt that anyone’s ever heard of.”
“I’ve never heard of one lasting that long,” Khuttarh conceded. “Well, then…what is your name, by the way?”
“Snash.”
“You and half the yarks in here.”
“About a third, sir.”
Khuttarh’s dark-rimmed eyes narrowed at this impertinence; but he seemed to be in a good mood, and let it pass. “So then, Snash. How could we do better?”
“The chutes are too narrow,” Snash replied. “That’s why there are so many blockages.”
“But if we enlarged them, it would be harder for you runts to get up inside.”
“Meaning no disrespect, sir, but that’s not quite true. They could be reamed out a good deal, and we’d still be able to chimney on up. Might even be easier---it’s kind of awkward as it is.”
“Is that so?”
“Also, the chutes seem to have been carved out at different times by different hands, and some of them aren’t well-carved. There are narrow places, and bends, and even places like corkscrews. It’s the worst towards the bottom, where everything feeds in…the main chutes aren’t much bigger than the feeders.”
“Widening the mains would be very expensive,” Khuttarh said. “Have you given any thought to that, little Snash?”
“I have,” Snash replied. “The fact is, a lot of treasure comes in through the ducts. But the ducts are stopped up a lot of the time. Slows the whole fortress down.”
“Does it?”
“Stands to reason, sir. Sand in the works. Orders don’t pass, departments don’t pay each other, blokes don’t get their gear...”
“Very true.”
“Also, I’ve given some thought to those lifts, the ones that carry most of the mail upstairs…why not make smaller, faster ones, and reserve them for the runners, the way those stairways are reserved for them now?”
“What do you know about those stairways?”
“I’ve only heard about them, My lord. But it got me to thinking---”
“Just bursting with ideas, aren’t you?”
“If you say so, sir.”
“Odd for a runt…maybe there were more brains than usual in your compost.”
“Maybe, sir.”
Khuttarh puts his hands on his knees. “Tell you what…why don’t you come with me, and you can tell me every clever idea you’ve ever had?”


9
Khuttarh brought Snash up to his office, and listened to him attentively for about an hour, even taking notes. At the end, the Postmaster said, “Care for a bit of manflesh?” and opened a steel box graven with etchings of men being roasted on spits; taking out a strip of dried meat that might well have been human-jerky, he waved it in Snash’s direction---it was a few moments before Snash realized he was expected to catch it with his mouth, but then he opened up, and Khuttarh flung it to him. Snash snapped it out of the air, seized an end with his claw, and wrenched off a bite. It was very salty, and tasted little different from Fell Beast…he wasn’t quite sure what the fuss was.
“Now off with you,” said Khuttarh.
“My Lord,” said Snash, bowing, and left.



There was still about an hour left to the night-shift; one of the shafts that brought outside mail was clogged---“unproductive” was the term, and Snash promptly went up to see what he could do. The blockage wasn’t very far up, but it was pretty big---it took him quite a while to get through it, and during that time, he heard the shift-change down below. By the time he got back down, there was practically no one nearby; most day-mail was internal, and most of the internal chutes were some distance away.
He looked around for a motivator to whip him to the cafeteria; spotting one far off who didn’t seem to have anyone to lash at the moment, he was just heading in his direction when a largish box came thumping down onto some mail in a bin off on his left….Snash thought he heard a soft voice inside it say something like: “Ach! Scheisssss!”
He moved closer, listening, and stopped by the rim. The box was motionless, and quite silent now.
His stomach, however, was anything but quiet, and he needed to get to the cafeteria before it closed. Still, he decided to wait a bit longer, and crouched down, just peering over the rim, even as he told himself he really didn’t need to bother with this---
Thud.
He picked up a packet and threw it edgewise…as it struck, there was a strange, strangled-sounding cry from inside the box, which tilted up as if something had hurled itself against the far wall of it; then the box slid partway down the far side of the small mound of mail.
Snash went round to the other side of the bin and crouched down again, saying:
“I know you’re in there.”
The box was wrapped in twine, and had a lid, which raised about a half-inch before a white bladelike thing, a piece of sharpened bone perhaps, came out and proceeded to saw through the cords. Once the strands were all snapped, the bone retracted, and a brace of long skeletal yellow-green fingers came out and hooked the underside of the lid, pushing up.
“Glargle, glargle,” said the voice from inside.
“Come on out,” said Snash, drawing his favorite knife, the one with the longest blade.
Up rose a noseless round green face with big bulging slimy-looking eyes and a very wide mouth…on the upper lip was a small, square, bristly moustache. A single grey hair tilted up and forward from the front of the scalp, several inches long.
“Glargle,” said the thing again, “Vas ist, mein liebchen?”
None of this meant anything whatsoever to Snash.
“Who are you?” he asked.
“Glargle,” the thing replied.
“Is that your name?”
The thing nodded, turning its face, showing a large flat circular area on the side of its head, some kind of strange ear perhaps, a slightly darker green than the rest of the creature’s skin.
“Who mailed you here?” Snash asked.
Glargle just shrugged again, and kind of laughed, in a glotty, mucousy kind of way.
Snash squinted at the return address---it was smudged.
“Who mailed you?” he asked once more.
“Meinself, meinself, I did, I did,” the creature answered. “No uzzer vay in, I’ve tried, I’ve tried---” Suddenly it clapped both hands over its mouth, as though it had said too much.
“Get out of that box,” Snash said. “You’re coming with me.”
“Ach, sss, don’t sink so.”
Snash looked around for reinforcements, but they were as far away as ever---when he glanced back at Glargle, one of those green hands had balled into a fist (which looked rather like a dead spider, all curled up) and was shooting right at Snash’s face, which it connected with an instant later. Snash rocked back and landed on his bum, whereupon Glargle sprang high into the air on long unfolded skinny green legs, and landed on the bin-rim, saying: “Vhere bist du, mein liebchen?”
He rubbed his hands together and glanced about, the bones in his skinny neck crackling, then galloped off on all fours---Snash, holding a bloodied nose and very dizzy, turned to see him heading in the direction of the internal mail-chutes. But just then a motivator, pulling his breeks up, came out of a garderobe on the left; Glargle swerved round him, went on a ways with the motivator running after him and shouting, then bounded into a bin and vanished up inside a chute…Snash was stumbling towards the motivator as the bull turned and asked:
“What was that?”
“I don’t know,” said Snash.
“Well go up there and get him!” the motivator answered.
Snash remained where he was, shaking his head...the bull cracked his whip.
“All right, all right,” Snash said, and went up the chute. He could hear Glargle glargling and “ach, sss-sing,” some distance above, but even though Snash did his level best (which was not very much at the moment) to catch up, the sounds faded steadily as the creature widened his lead…Finally Snash went back down. The motivator was squatting next to the bin at the bottom.
“Got away, eh?” he asked.
Snash nodded.
“Well, you’ll have to file a report, and I don’t want to be you.”
“You didn’t catch him either.”
“I was in the crapper.”
“As if anyone would buy that excuse---what say neither of us saw anything?”
The motivator considered this, then laughed. “I’m going back in the can,” and returned to the garderobe.



Chapter 4: Runner
Not long after, Snash was switched over to the day-crew; arriving in the mail-room, he discovered that part of it had been shut down so that the chutes could be widened out; great rotary stone-reamers with extendable shafts had been brought in, and two were already in operation, their long cranks manned by teams of extremely burly ogres, overseen by men from Engineering. The air was cloudy with rock-dust and everyone was coughing, but even though that was so annoying, Snash felt a distinct pride, and congratulated himself on having one of his recommendations adopted; he thought perhaps he’d been put on the day-shift as a reward.
One of the chutes that hadn’t been shut down had a blockage; he spent a good long time taking care of it, way up out of sight. When he came back down, he saw Khuttarh, rather to his surprise because it was the day-shift, and went right over.
Looking back, Snash would wonder why he’d been stupid enough to approach him again, but that was the future, and this was now; Khuttarh had listened to him before, and had given him a strip of manflesh; Snash thought he had good reason to expect a pat on the head, and thought further that Khuttarh might even be inclined to listen to a few more ideas, which Snash had come up with in the meanwhile.
The Lord of the Mail, a large packet under one black-sleeved arm, was speaking with a motivator...Snash noticed a scar on the bull’s upper lip and recognized him as the very first driver who’d driven him, down in the pits, Slagbag...he was much less heavily armored now.
But, as though he were seeing someone whom he didn’t want to be reminded of, Khuttarh gave him one brief glance, then told Slagbag:
“Take him.”
“Take me where, My Lord?” Snash asked.
“Slagbag’s just been transferred from the breeding-pits,” Khuttarh said. “Needs a runner to motivate, and that would seem to be you….You’ll need new gear.” Eyes still averted, he handed Snash a blank requisition slip.
The runt bowed. “My Lord.”
Khuttarh started to head off, robes rustling, then seemed to realize he was carrying an envelope, and held it out beside him, never stopping. “Take this over to Engineering,” he said, and Snash ran after him to get it….Slagbag came up, glowering down at the runt.
“Don’t you remember me?” Snash asked.
“Why should I?”
“You whipped me after I was pried out of my pit.”
“I’d wager there are about four thousand runts who could say the same, you not especially choice morsel of toejam...why did you remember me? The scar?”
“First one I ever saw,” said Snash. “And it’s a good one. Deep and mean-looking.”
Slagbag seemed flattered...but cracked his whip. “Get moving!”



Keeping ahead of the lash rather effortlessly, Snash raced off and exchanged his blockage-rectifier gear for a runner’s kit, while Slagbag waited outside. After turning in his tunic, shoes, helmet, knife-belt and stickies, Snash got a belt without knives (nowhere near as good), a skin bottle, a map, a pouch for carrying dispatches, and a tunic without a back, for greater ease of whipping. Standing on a runt-block, which lifted him high enough for the brains behind the counter to deal with him, he donned the new tunic and tried to put on the belt---the buckle worked just fine, but the strap snapped. Rather to his surprise, he was given a replacement immediately, although he leaped straight to the conclusion that he was being set up for something...when one of the brains glanced at the skin bottle, and showed the barest hint of a smile, Snash shook the bottle, sloshed the contents, and asked:
“What’s in here?”
“Juice,” said the brain.
“From?”
“Those fruits they grow us in. Has everything a yark needs to keep him going...”
But Snash was barely listening by then...he was looking at the map, and he didn’t like it. Supposedly, it showed the level he was on, with the main routes marked in red...they all ended up at the central shaft of the Spike, the vast chimney-like tower that had been raised on the rim of Mount Adamant...there was a cross-section of the Spike on the other side of the sheet. But the paper was poor ratty stuff, and much of the printing was blotted...moreover, a lot of details were very much at variance with what Snash knew already.
“Give me a real map,” he told the brain.
The brain smirked. “That is a real map. Get out of here---”
Suddenly he glanced over Snash’s shoulder, and the smirk dropped from his thin lips…Slagbag stepped up to the counter, saying:
“What’s all this then?”
“He gave me a fake map,” said Snash.
One of Slagbag’s long muscly arms shot out, and he grabbed the brain by the throat, jerking him partway up on the counter.
“Stop wasting our time, you twenty-gallon jar of fell-beast diarhhea,” he said, then flung him back. The brain barely kept himself from falling, staggered off and got a real map, which Snash immediately perused…it appeared to be the genuine article. He almost got down from the runt-block, but then, all at once, found himself wondering about what might be in the bottle…opening it, he took a sniff, then recoiled.
“What is it?” Slagbag asked.
“Not sure,” Snash replied, closed the bottle back up, then laid it back on the counter. “But whatever leaked it had very bad kidneys.”
Slagbag grinned, and shook two fingers at the brain. Then he brought his fist down on the bottle, which was pointed right at the trickster…out flew the cork on a blast of stinking whizz, dousing the malefactor.
“You, lacewing!” cried Slagbag to the other brain. “Bring my runt here another bottle, with something better in it!”
The brain rushed to comply, and momentarily Snash had a bottle whose contents smelled exactly like yark-fruit.
“Let’s go,” said Slagbag.
Snash stepped down from the block and headed for the door.



Engineering wasn’t far from the mail room, and all the way there and back, Slagbag didn’t succeed in whipping Snash once; he was grumbling as they reached the sorting-station in the mail room.
“You know, it makes me look bad, you staying so far out in front,” he said.
“I don’t need motivating,” Snash replied.
“That’s what you say now,” Slagbag answered. “Wait till they send us up into the Spike. I did some pounding around up there, before they had me driving newborns. Running on stairs is way worse than runnin’ on the flat...once you slow down, I’m really going to take it out of you.”
“No you won’t,” said Snash. “It’ll be just the same. I’m faster than you, and I’ll still be faster on the stairs….if they’re going to have someone whip us, it should be other runts.”
“But who’ll whip them?” Slagbag snarled.
“Who whips you?” Snash asked, just as one of the sorters handed him a scroll and said:
“Slogans, Fifteen Hundred and Sixty Two.”
“The fifteen hundredth floor?” Snash asked.
“They had to put it somewhere,” the sorter replied, whereupon Slagbag, who had apparently been contemplating Snash’s back all along, gave him a good hard snap right between the shoulderblades.
“Got you!” Slagbag cried, even as Snash squealed and took off, circling wide round Slagbag, determined not to let him tag him again.



Up till now, Snash’s only ventures into the Spike had been up inside the chutes; this time, however, his route was the Great Spiral---finding his way with the map as he outpaced Slagbag, he came at last to the mighty stairway that wound its way along the interior of the chimney. Knowing he’d better not lose Slagbag entirely---regulations stipulated that messengers had to be accompanied by their motivators---Snash halted on the landing to give him a chance to catch up, and while he was waiting, looked over the edge, down the shaft. A hot sulphurous wind swept his face…it was hard to lean out over it, and it gave him a precarious, off-balance feeling, even though he was in no danger from it, since it only would’ve tipped him backwards.
The view itself was dizzying, an awesome plunge into a distant glowing lake of lava, with the spiral staircase descending some distance below the chimney and along the wall of the crater the Spike had been built upon…there were hundreds of landings with archways opening upon them, and thousands of figures, some of them in columns, were coming and going through the doors, and up or down the steps, or across the many bridges, some narrower, some wider, that had been thrown across the gulf. Great banners with slogans like, “If It Hurts, You’re Doing It Right,” “The Whip Is Your Mate,” and “Abasement IS The Answer” were fastened to the curving wall.
Snash straightened and looked up. There was much less light, and it was more sullen red than orange---the farther things were from the lava-lake the less illumination they received. Still, there were torches, and enough red from beneath for him to see the underside of the bridges above, well up into the shaft…he thought he could just make out the mouth of the chimney, a black circle above the bridges. He had never seen the sky before; he’d been told that little lights shone in it sometimes, when rents opened in the dark clouds that covered Lord Serpentar’s realm. But there was only murk tonight.
“What are you waiting for?” came Slagbag’s voice.
Snash turned to see him charge out onto the landing.
“You,” said Snash, and headed up the steps.



During the early part of the ascent, he got so far out in front of Slagbag that an officer from Burning Curiosity stopped him, and asked what he was doing without a motivator---when Slagbag came toiling up, the officer let them both go, but after that, Snash decided it would be best if he didn’t press his advantage so much, lest Slagbag be replaced with someone faster. Besides, he really couldn’t see the harm in allowing Slagbag the dignity of an occasional near-miss.
But after a while, Slagbag ceased to be a concern--- the climb itself got to be the only thing on Snash’s mind, sheer torture after a couple hundred floors or so, even for a fit little fellow like himself. The hot air rising from the lava far below really took it out of him, drying his thin lips till they cracked, his nostrils till they started to bleed, his tongue till it felt like a piece of leather in the bottom of his mouth---he drained the juice in his bottle before he got halfway up, and his ankles, calves and knees grew terribly sore.
Yet bad as it was for him, it was obviously much worse for Slagbag; Snash had to stop constantly just to stay in his vicinity, and by the time they were closing in on the Fifteen Hundredth floor, Slagbag could barely stay on his feet, and was weaving back and forth from one side of the steps to the other, banging into the wall on the left, and teetering near the edge on the right.
Reaching 1500 at last, Snash sat down on the edge of the landing, panting, watching Slagbag, his tongue hanging out, slog towards him…coming up over the top, the motivator simply collapsed beside the runt, and there he lay until Snash noticed a couple of I and E boys approaching along the hallway. Standing up immediately, Snash nudged Slagbag with his foot until the motivator rose as well.
Snash was expecting the Inspirational Exhorters to say something, but they were too busy chewing the rag with each other, jawing about “victory,” “Merriador,” and how “the whole lot” were “in the bag now,” although one did direct a quick sneer Snash’s way. But Snash knew that he and Slagbag would not, in all probability, continue to be so lucky, and he tugged on Slagbag’s wrist, leading him towards 1562, the motivator stumbling behind him.
There was a great deal of scribbling going on at Slogans, and brains mumbling lines under their breath, or testing them out on each other, with variations...everyone looked very tense and jumpy, and it seemed that no one’s efforts were being well-received...Ritragh, the Sloganeer-in-Chief, looked at the scroll in Snash’s outstretched claw as though it were going to bite him, and after reading it, said:
“Bad enough that I’ve got the whole weight of the world on my shoulders...Now this!”
He waved the missive and shook his head.
“What is it, sir?” an underling asked.
But the motto-honcho just shook his head.
“Excuse me, sir,” said Snash.
“What?” Ritragh asked.
“Might we have some water?”
“Water? This is Slogans. We deal in spiritual refreshment up here.”
“Can’t do without that, sir. But---”
“Here’s my latest: ‘Serpentar---Bow to the Inevitable.’”
Is that new? Snash thought.
“What do you think?” Something about the question left Snash with the impression that the slogan had already gotten a lukewarm response from Ritragh’s flunkies.
“Sir,” the runt said, “I bow to the inevitable every day---”
“But does it make you want to bow even lower?”
“Yes, now that you mention it, sir,” said Snash, and bowed very low indeed. “But could you give us some water?”
“Why do you need water when you have a new slogan?”
Slagbag tapped Snash on the shoulder. “Let’s go.”
Ritragh’s voice suddenly sharpened: “Stay right where you are.”
They froze.
He said: “I detect… a lack of enthusiasm.”
“I’m sorry, sir,” said Snash. “But we just ran up fifteen hundred floors, and---”
“We just spent the night coming up with a new slogan,” the officer replied. “And you act as though it’s nothing!”
“I never meant to---”
“Don’t you realize what you’re part of here?” the brain broke in. “What we’re all part of? We are arrows in the quiver of history! Hobnails on the boot of the future! We wear the road down! We make what happens happen! What is replenishing one’s bodily fluids compared to fulfilling Lord Serpentar’s Five Thousand-Year plan?”
When Snash and Slagbag continued silent, the brain, quivering with indignation, continued:
“I’ll tell you what! It’s only a tiny little thing!”
To illustrate this point, he held his taloned thumb and forefinger right in front of Snash’s nose, the miniscule gap between them representing, with great clarity, the relative size of replenished fluids in proportion to the Five Thousand-Year Plan.
“You’re quite right, sir,” Snash replied.
“Don’t give me that,” said the brain. “You’re not inspired---I can see it in your whiteless slitty black eyes.”
“Sorry sir.”
“Why do I even bother?” The brain’s shoulders slumped.
But seeing that, Snash suddenly realized how to handle him, and said: “Well sir...if you fellows were to give up, how could the rest of us get on?”
The officer shot him a glance.
“Did Lord Serpentar ever give up?” Snash asked.
The brain shook his head.
“Well, you mustn’t either, sir,” Snash went on. “And really, I think you came up with quite an excellent slogan. It’ll be running through my head the whole way back down, all fifteen hundred floors, I’m sure of it. I also was very moved by, ‘We make what happens happen.’ Did you come up with that just now, on the spur of the moment?”
The officer’s look brightened. “I did.”
“Excellent work, sir,” Snash replied. “‘There is no I in Tenebria,’ wasn’t one of yours, was it?”
“It was indeed,” said the officer, although one of his assistants got a look on his face that suggested otherwise…reminded of the situation between himself and Khuttarh (and well aware that there was, in actuality, an ‘I’ in Tenebria), Snash said:
“That slogan has quashed my self-regard on any number of occasions, sir.”
The officer turned to the actual originator of “There is no I” and said: “Get them some water.”



Once Snash and Slagbag were heading back down the steps, side by side, their fluids replenished and their bottles filled, Slagbag said:
“I really hate those I and E bastards.”
“Same here,” Snash replied.
“Tarting everything up,” Slagbag said. “All that shit about ‘History’ and the ‘Inevitable.’ ‘We make what happens happen.’ What the Hell is that? I mean, there’s those that whip and those that get whipped…”
And those that those that whip can’t catch, Snash thought, although he knew just what Slagbag was talking about.
“Nice and simple,” Slagbag went on. “Everybody knows where they stand.” He poked Slash with an elbow. “Thought you played him nicely, though.”
“I did at that.”
“Let’s go find ourselves some spot where we can hide for a bit.”
“Sounds good.”



Going down below the I and E floors, they came to a level that was vacant due to construction, although there was no work going on at the moment; working their way well back through the corridors, they’d just found a likely spot in a dark empty chamber when Snash asked Slagbag:
“Ever seen the outside?”
“Outside of what?”
“The fortress. Mount Adamant.”
“No,” said Slagbag.
“I’d wager, if we keep going, we’ll come to a window or something. Let’s find some place where we can look out.”
“Why would we want to do that?”
“I don’t suppose we’ll know until we give it a try.”
“What if we’re spotted? You know who’s out there, don’t you? The bleedin’ Black Thirteen, flying around on their nasty great fish?”
Snash nodded, thinking: Gage Ghouls. Princes once, of Humanor, they’d accepted magical gauntlets from Serpentar, only to fall under the power of the master gage, the Gauntlet of Dominion, and their mounts were giant winged sharks; after mountains had risen beneath the ancient oceans of their ancestors, the fish, adapting over long eons, had taken to the air...Snash didn’t know why that particular fact had been imparted to him, although he thought it was intriguing...
“I saw a sharkrider once,” Slagbag went on. “This was before my stint as a baby-driver...I was way down in the main shaft, motivating some hod-carriers...sometimes the ghouls fly down there, just to spook everyone. Down comes this bastard on his fish and just hovers in the chimney, staring at us...we all just about wilted, but once he left, everyone worked like mad…Have to admit, it was just what was required. No slogans, just good old honest fright.”
“I could do without the fright too,” said Snash.
“Who wouldn’t? Fright’s clean, that's all. Compared to slogans. More honest…Of course, if I could get away from the whole lot, I’d do it in an instant. Go off and set up on my own. But there’s no chance of that, is there?”
“Isn’t that the same as saying you do have to bow to the inevitable?”
“Maybe. Just between you and me. But I don’t need some pus-sucking fatskull to tell me. Or to tell me I’ve got to like it. Or that it’s better than water. Got it?”
“Got it,” Snash said. “I’m still going to try and take a look outside, though.”
Leaving Slagbag behind, he headed farther in the direction that they’d been going…he began to hear great cracking and rumbling sounds, and saw a hanging hide sheet, a gap in the middle of it with red light (and intermittent white flashes) coming through...Snash went and looked out.
Up till then, his only glimpse of sky had been that dark circle at the top of the Spike's central shaft, but there was a lot more to see now, a solid ceiling of red-lit cloud. The glow was coming from below, lava, he guessed, although his view was blocked by the semi-circular court extending before him, the top of a large bartizan. Smallish black creatures---the name grawks came to mind--- on two legs were moving about or sitting, but as Snash thrust his way through the gap in the hide, they all grawked, bounded into the air, unfolded pinions and flapped away.
Flinching at the thunder, grimacing at the lighting-flashes, he went some distance out onto the bartizan, then turned and looked back towards the tower, which, looming up against the red-lit sky, seemed to lean over him, thousands of tiny red openings showing in it sides, like eyes. Every time the lighting flashed, the red lights seemed to go out, turned into little black holes in blanched stone. Clinging to the Spike’s sides, or rising beside it, were many lesser spikes, some rising to a point, others with rounded tops…as for the top of the main tower, it was lost in the clouds, which were going round in a slow swirl.
He turned once more…a rim enclosed the court, and he went out to that. It came up about chest-high on him, and he rested his arms on it and his chin on them. Even though there were truly some vast expanses inside the fortress, he had never seen anything that could approach the vista he saw now, a tremendous flat area studded with small volcanoes, outcroppings and huge boulders, and crawling with huge glowing streams of lava, which were flowing down Adamant’s slopes, tingeing masses of drifting vapor. Bounding the plain were serrate dark mountains, fringed by bluish-grey light.
He heard movement behind him...rather to his surprise, Slagbag came up alongside him and rested his palms on the rim.
“I wouldn’t have thought it,” he said.
“What?” asked Snash.
“That the outside could be bigger than the inside,” Slagbag replied.
“Outsides have to be bigger than insides.”
“I suppose. It’s just that it’s so big inside, you know….but this…it’s really amazing. I’m not sure I like it, but I’m not sure it matters. Look at that color off there!”
“What color?”
“There, behind those, what do you call ‘em, mountains!”
“That’s called blue.”
“Yeah, I know, it was just on the tip of my tongue…Don’t see it too much inside.”
“No,” said Snash. “Not much of it out here, either. Although, I’ve heard that the sky’s that color.”
“That’s the sky,” said Slagbag, pointing.
“Those are fumes,” said Snash. “And they’re between us and the sky. Lord Serpentar makes them. To keep everything shadowy. They come up from the lava, but they’ve been treated---”
“Treated?”
“So they don’t darken till they hit the air up there. And most of the poison’s drawn off below, by big wheels.”
“Big wheels?”
Snash nodded. “They’re connected to machines, which turn them. There are shafts that run out from the chimney, and the poison’s drawn sideways by the wheels. Serpentar lays spells on them…the poison’s full of gold, and it forms a crust on the wheels…When the machines are stopped, teams go and scrape the gold off. Sometimes, Serpentar lays different spells on the wheels, and then he gets diamonds instead of gold. That’s why the mountain’s called Adamant. Adamant’s another word for diamond.”
“Diamonds are jools, right?” Slagbag asked.
“Right.”
“How come you know so much?”
“I listen to the brains, down in the mailroom.”
“They talk to you?”
“Not much. But they talk to each other…”
“I’ve never met a runt like you.”
Snash replied: “Lord Khuttarh said there must’ve been more brains than usual in my compost.”
“Want some flesh?” Slagbag said, taking out his flesh-wallet.
“What’s it from?” Snash asked, accepting a strip.
“Who knows? At least it’s got a lot of salt on it.”
They ate a while in silence.
“Glad you wanted to come out here,” Slagbag declared, and proffered his wallet again. “Want some more---”
He broke off as a loud screech tore the air.
Looking up, Snash saw a tremendous flying shape swooping round the outside of the main tower, a black shark with fins so big they amounted to wings; steel gleamed on the appendages, out near the tips---blades had been fastened to the edges. Mounted on the monster was a black-hooded figure whose cloak was whipping well back over the dorsal fin, almost to the tall, rudder-like tail.
“Down, down!”Slagbag said.
He and Snash cowered behind the rim…Snash was sure the sharkrider must’ve spotted them, but whether he hadn’t, or had some more pressing errand than punishing a couple of slackers, he didn’t come after them…they heard the cry again, but much more distant this time, and when they got up and looked over the rim once more, the rider was nowhere in sight.
“We’d better get inside,” said Slagbag.
They headed back across the bartizan, but as Snash neared the arch with the hide hanging from it, he paused, noticing some scratchings on the wall beside.
“‘He Who Is Much Better,’” he read aloud. “I’ve seen this several times.”
“And a lot of gouges where it’s been chiselled out?” Slagbag asked.
“I think. What do you know about this?”
“That I’m not going to work myself up over scratchings on a wall. You can get yourself a one-way trip to the torture chamber for even talking about it.”
“Who’s he supposed to be?”
“A yark. Someone like us. Obviously, it’s complete shit. Serpentar’s real. Hrag Urshathur isn’t.”
And with that, Slagbag stepped through the gap in the hide.
“Coming?” he asked.
Snash eyed the scratchings for a few more moments, then followed.



They never did get used to running messages up the central shaft, although it got to be less of a torment for them, eventually; they brought more juice and water, and extra salt, and figured out ways to go more slowly without drawing any sanction, such as placing themselves behind columns of heavily armored yarks, men, or ogres. Not that they were always running the Spike; a lot of their deliveries were on the flat, or mostly, down inside the volcano. But one result of all this was that they were acquiring a good working knowledge of the entire fortress, and it was getting harder and harder for anyone to give them bad directions any more.
When Snash was handed a scroll marked “Extremely Urgent,” and “For Your Glowing Eyes Only,” addressed to the “Lord of the Gage Ghouls, Two Thousandth Floor,” he knew that was the very pinnacle of the Spike, even though he’d never been up there---even Serpentar’s chambers (which Snash had never been to either) were a level down, but due to the take-off and landing requirements of their flying sharks, the gage-ghouls were stationed right at the top.
Since Snash had never been the whole way before, the ascent proved a very sore trial, even though he and Slagbag had a very slow column of ogres to follow for much of the distance---ogres were always smelly, but these were so awful that Snash had trouble breathing. Moreover, once the beasts turned aside, a column of eastron men came pounding up, not very heavily armored ones, either, and those fellows set a brutal pace. As soon as the eastrons got where they were going, Snash and Slagbag simply stopped and sat down on the steps, and it was some time before they could even contemplate starting on up again…Barely forcing their legs to bend and straighten, they managed to get up ten more floors, and still weren’t at the top.
They were, however, on One Thousand Nine-Hundred and Ninety-Nine...a huge brazen plate on the wall said so.
Serpentar’s floor, Snash thought.
A tall pointed arch was set well back in a semi-circular recess, but he couldn’t see a door, try as he might---if there was an entrance, it was blocked by what appeared to be a gigantic tangle of steel thorns, interwoven with great bronze snakes. Before the barrier a troop of ogres stood at attention; Snash had never seen ogres, who were generally slouchy, standing erect that way before; armed with huge two-headed axes which they were clutching across their chests with both mitts, the beasts were most intimidating. Blazoned on their armored chests was Serpentar’s device, The Prying Eye, a round red orb looking through a magnifying glass.
As Snash and Slagbag stood swaying and panting, a pale tall very thin man with a shaved head stepped out from behind the ogres, blue eyes glinting under his lowering brows…he was clad in a long curious assemblage of studded straps. Attached to his shoulder was a lacquered red-and-black Prying Eye Pin.
“What’s your business?” he asked.
“Message for the Shark Lord,” Snash said, using one of the ghoul chieftain’s many honorifics.
“Then why have you stopped here?” asked the man.
“Tired,” said Slagbag.
“The Inevitable,” the man replied, “does not believe in tired…Don’t you know where you are?”
Slagbag just blinked and wobbled, but Snash nodded.
“Would you like to see what’s on the other side of those thorns and snakes?” the man inquired.
Snash shook his head.
“Then I suggest you keep going,” the man said.
Snash plucked at Slagbag’s arm, and they resumed the climb. Even though it wasn’t very far, that last stretch was murder, after all they’d endured, but finally they came stumbling up onto the broad flat ring that bordered the mouth of the shaft. Strictly speaking, it wasn’t the very top of the tower---thirteen smaller towers (one for each sharkrider, Snash guessed) were set at intervals around the circumference of the ring like tynes on a crown. Serpentar had been laying off on the smoke a bit---the cloud ceiling wasn’t swirling so low, and only swept the points of those smaller spires.
There were yark-sentries at the stairhead, but they were content to let Snash gulp water and suck air for a bit...capping the bottle once he got his spit back, he took the scroll from its pouch, saying:
“For the Shark Lord.”
“That’s his tower,” the guard said, indicating a spire which stabbed so high into the clouds that the top disappeared...Slagbag waited outside as Snash announced his errand and was admitted through a postern.
Floating on the other side was a mass of black fabric…Snash wasn’t quite sure he was looking at a figure at first, until he made out a dim sad hooded face, grey behind a veil…on the apparition’s chest, if chest it could be rightly said to have, was the sign of a black fin against a red circle….recalling that the Shark Lord’s mansion, like those of the other gage-ghouls, was said to be staffed by the spirits of dead men, Snash felt a sensation like a cold rill down his spine.
Beckoning, the phantom led him across the cavernous first floor (whose furnishings and arrangements Snash couldn't quite get a handle on in the gloom, although they struck him as extremely unnerving), through a chamber centered on an immense circular pool filled with green-scummed water, and then onto a stone runway projecting from the side of the tower….out near the end, the Lord of the Gage Ghouls was stroking his gigantic mount (who was standing on four stumpy legs) and seemed to be having a rather animated conversation with another sharkrider. Both wore long black-leather robes; the ghoul chief had a spiny crowned helmet thrust down onto his hood.
“Thy new fish, as swift as that?” he was hissing to his lieutenant as Snash came up.
“Aye, My Lord,” said the other.
“Thou art saying thou canst return to your tower, mount, swoop down---”
“I do say it, liege.”
At that, the Lord of the Gage Ghouls turned towards Snash, and the runt’s knees began to quiver as he got a look at the sharkrider’s glowing red eyes, which seemed to be hovering inside his hood, almost as though they really weren’t fastened to anything. Indeed, the one on the right began to rise, much as if the ghoul were lifting his eye rather than an eyebrow.
“Dispatch, sir,” said Snash.
The Shark Lord took it, then said to the other ghoul: “Thou wouldst wager thy dacha on the Sea of Hot Mud?”
Snash had no idea of what a dacha was.
“Against the Iron Saddle of Moggoth,” the subordinate answered.
The chief nodded. “So be it…let us, then, proceed.”
And even before he finished saying proceed, he seized Snash and tossed him over the side.
At first Snash was so startled that he didn’t even realize what had happened to him.
Then, with the air beating into his face and blowing his lips open, making his eyes tear up and his ears thutter, and the side of the Spike blurring past him on his left, and the spires beneath still distant but getting less so every instant, he began to appreciate the gravity of his situation.
A bartizan whooshed by to the side, and he wondered if it was the one he and Slagbag had gone out onto…approaching from the right, a flight of grawks appeared in his field of vision, as though they were making for the balcony, and he waved his arms to fend them off, but he struck several, and one of them wound up stuck to his face, grawking madly before he peeled it off and flung it over his shoulder.
Passing through a drifting plume of bitter-tasting smoke from a chimney, he saw a tower rushing up, a slender bridge connecting it to the Spike, tiny figures going to and fro upon the span. For a few moments he was certain he was going to strike the bridge, right on the edge; the yarks below lifted their faces, and he thought he heard them taking bets as to whether or not he was going to hit. He recognized a fellow messenger by the name of Rakhrik (a nasty little git), who cried: “Hullo Snash!” even as Snash dropped past, grazing his scalp on a projecting bit of stone. To increase his leeway, he pressed his head against his shoulder, but another projection clipped his ear, and even after he plummetted below the bridge, something struck him on the back of the skull, as if one of the boys up there had pegged something down at him; he clapped palms to the crown and back of his head.
Soon he was well down among the lesser towers, and below there was a horrible thicket of still lesser ones, bristling with every kind of point, some stacked with impaled dead yarks….it sure looked as though the Shark Lord had made that bet scores of times. There were just plain old points, but also grotesque vanes, and lighting-rods, and sculptures of beaky birds and beasts, and actual birds and beasts squatting with their beaks turned up.… he was just about to land face first on a truly awful needle-nosed critter which had just shut its trap and lifted its snout to impale him when…
He heard a tremendous rush---
Even as he felt the first faint tickle of beak-tip on eyelid, a shark, flipped up on its side so it could slip between towers, swept alongside, seized him with one foreclaw, and zipped out between more spires, which looked so close together that Snash couldn’t imagine the fish negotiating a passage until it actually did so and started to climb…the Shark Lord’s lieutenant had made good on his boast, although Snash didn’t feel the least bit grateful to him.
Up and up the monstrous fish soared, alongside the Spike…just before it touched down on the ringlike summit, it dropped Snash to the stone, and as it settled he rolled aside, remaining prostrate until it folded its fins.
As the winner dismounted, up came the Shark Lord, and the two of them paid poor Snash no attention whatsoever as he stood there trembling. He listened to them discussing the finer points of shark-breeding for a few moments before he turned and headed off…Slagbag was, of course, waiting for him outside the Shark Lord’s gate, although Snash didn’t tell him the whole story until they were safely hidden in a hiding-spot well down inside the Spike.
“And it was all just on a bet?” Slagbag demanded.
Snash nodded.
“Someone should toss them over the side,” Slagbag said. “See how they like it.”
“That’s cursed rebel talk,” Snash laughed.
Slagbag grunted and nodded. “Yeah.”

Tuesday, October 12, 2010

My Gangster Flick Top Twenty, Part 2



Okay, here's the rest of the gangster list.

11.Miller's Crossing 1990
1990 was a wonderful year for celluloid gangsterism. You had Goodfellas, State of Grace (nearly made the list) and MC, which was the third Coen brothers movie. I realized right away that I was onto something after I saw their first film, Blood Simple, loved Raising Arizona (although there was too much screaming), and thought Miller's Crossing was their best entry yet....still might be my Coen fave. A lot of their movies have endings that don't quite work (I might name Barton Fink, Fargo, and No Country), but MC builds wonderfully, and comes to a very satisfying finish. Lot of good twists and turns, great characters and dialogue, and memorable mayhem (including Sam Raimi choppered to bits in one scene). Some have complained that the film's too convoluted, but I never had any trouble with it. You just have to pay attention, that's all.

Gabriel Byrne (who should've become a bigger star) is Tom Regan, an extremely cerebral hood who dreams about losing his hat (losing his head?); he's always dispensing excellent advice to Leo (Albert Finney) who's the underworld boss of some unnamed city (movie was shot in New Orleans, to great effect). In the interest of peace and general rationality, Tom tells Leo that he should give up Birney Birnbaum "the Schmatta Kid," (an incredibly odious John Turturro) who's been evening out the odds on fights fixed by Johnny Casper (Jon Polito), Leo's chief competitor...Casper wants Birney dead, and it's a very sore matter between him and Leo. But Birney's the brother of slinky Verna, Leo's girlfriend...and Verna wouldn't like it if her brother gets whacked. Matters are further complicated by the fact that Tom's seeing Verna too, though Leo doesn't know. Leo spurns Tom's counsel...all hell breaks loose. Tom appears to switch sides...locks horns with Casper's terrifying henchman, the Dane, (J.E. Freeman, who would've made a very good Legion), and is blackmailed by Birney...things get really intense before they're all wrapped up at an apartment building called the Barton Arms, which seems to be a reference to Barton Fink, which hadn't been made yet...oh well. Love this movie. Turturro is most memorable, horrible beyond belief.

I do wonder about the Coens' take on Jews, though. All the Jews in all their movies are either neurotics like the lead character in a Serious Man, hyper caricatures like the movie guys in Fink, or extremely evil specimens like Birney...if I wrote about Jews like this, I'd get in trouble, and would probably deserve to, although all the Jews I've discussed this with don't have any problem with it. What's a poor goy to think?

12.Goodfellas 1990
This is my vote for the greatest gangster movie ever, Martin Scorsese at the absolute top of his form. Yeah, I know a lot of people like The Godfather better, but treating gangsters as though they're semi-Shakespearean material is something of a mistake, in my opinion. Gangsters aren't royalty. They're fuckin' hoods. They don't sound like college professors or screenwriters, like the guys in Pulp Fiction. Their lives are trainwrecks of vice, stupidity, and bad taste, and they almost always wind up in prison, ratting on their friends, or shot to pieces. They like to think of themselves as men of honor, but that's because honor is so noticeably lacking in their lives. Goodfellas, based on the memoir Wise Guy, by Henry Hill, reflects this understanding. The Godfather, to a certain extent, was grounded in Mafia reality, but sanitized and romanticized it---and invented a lot of stuff out of whole cloth. Goodfellas is the totally straight dope. It's not shitting you at all.

Unlike a lot of gangster flicks, this one doesn't concentrate on the guys at the top...you see things from the point of view of Mr.Hill, who's strictly a mid-level guy, and that's great, because he knows everyone underneath him and above, and he really knows how the system works. He rubs elbows with made men, but his closest friends aren't members of the club---yet. A lot of the story hinges on the apparent rise of an extremely vicious mid-level earner named Tommy(Joe Pesci) who's dying to become a full-blown mafiosi, but is just too crazy...Henry (Ray Liotta) and Jimmy Conway (Robert DeNiro) are expecting Tommy's incoming tide to lift their boats, but Tommy gets iced, and when Henry gets busted for some dope dealing, he has no recourse but to rat on everybody, bringing the whole Lucchese crime family (headed by Paul Sorvino's Pauly, the only sympathetic character in the film) crashing down...

Everything about the film is persuasive. Pesci's Tommy is incandescently crazy, Liotta's Henry is one slippery observant dude, and DeNiro's Jimmy Conway is truly Satanic. Fantastic use of the guitar stuff at the end of Layla...the violence is headache-inducingly vivid. Nobody's ever been better than Scorsese at serving up carnage....just look at the that long single take when Samuel L. Jackson gets it. There's no editing, no cutting to a dummy. There's lots of dialogue capped by a single, spectacular, completely successful special effect, captured in a medium shot...you really feel like you just saw somebody get snuffed. Memento mori, sheesh. How often does that happen in a movie?

13.Full Contact 1992
Along with John Woo, Ringo Lam went a long way towards launching Chow Yun-Fat...in fact I rather prefer Lam's Chow Yun-Fat movies to Woo's. Lam gets better performances out of his actors, his films are frequently pretty damn funny (the Prison on Fire movies are a case in point)and the action is a whole lot sharper and meaner than Woo's. You might be interested to know that the scene in Big Lebowski where Walter bites the guy's ear off is a homage to Ringo Lam. Moreover, Lam is a heavy enough hitter that Tarantino ripped off the story of Reservoir Dogs from the last twenty-five minutes of Lam's City on Fire. Lam just isn't as melodramatic and silly as Woo, and doesn't have as many easily copied mannerisms...he deserves to be much more famous in the west than he is.

Which brings us to Full Contact.

Based on a Donald Westlake novel, The Hunter, this is a real murderous ride....try to locate the uncut version if you possibly can. Chow Yun Fat plays Jeff, a Chinese gangster living in Bangkok, who's always getting his buddy Sam out of trouble. Sam enlists Jeff in an arms robbery orchestrated by his cousin Judge, (Simon Yam) an extremely flamboyant gay maniac. Jeff and Judge don't hit it off, but Jeff goes ahead with the robbery anyway, only to be double-crossed by Judge and his lunkhead henchman, Deano. Jeff gets a bunch of his fingers cut off by Judge, and retreats into a shanty, which then gets torched...Judge forces Sam to go in a make sure of Jeff; Sam shoots him the shoulder and says that he finished him...a propane tank blows the shanty up, and a young girl gets horribly burned in the blast. Jeff saves her, sees to her treatment, and goes on the vengeance trail, off to Hong Kong, where Judge and Sam (and Jeff's girlfriend Mona, played by Anne Bridgewater) have established themselves. Jeff contacts Sam, plays on his guilt to secure his aid, and proceeds to wreak havoc on Judge's arms dealing operation. There's a whole lot of slaughter with knives, icehouse tools, and guns...bullet-squibs and exit wounds abound...plenty of moments from FC got ripped off in western movies, such as the bit with the bullets meeting tip-to-tip that showed up in The Shadow. I don't think there's a dull moment in the whole damn picture. Interestingly, it wasn't a hit in Hong Kong...apparently your average Hongkie prefers much blander entertainment than Yours Truly..

14.True Romance 1993
Not entirely sure if this should be classed as a gangster movie, but it sure is full of gangsters, and has a lot of definitive gangster stuff...our protagonists have it out with gangsters every step of the way, and become drug-dealers themselves...I'm going to bite the bullet and include it.

I'd already had my introduction to Tarantino with Reservoir Dogs before I saw True Romance...I was very impressed with RD, but I didn't fall in love with it. For one thing, I thought the robbery should've been on-screen, and I can't think of any good reason for not depicting it...it's rather like the climax of No Country for Old Men, the shootout between Brolin, Bardem, and the Mexicans, taking place off-stage. That being said, RD's quite a directorial debut...Tarantino's got a great, classic, simple directorial style...he appreciates the value of a long take, particularly in an action scene...I like the way he picks out the optimum camera angle and just sticks with it. Michael Bay he ain't...just watch the build-up and climax in RD. That's movie-making.

He didn't direct True Romance, and his vision was tampered with quite a bit. In the original script, the scenes were pretty much the same, but presented in a different order...Tony Scott, the director, decided to scrap that structure. I'm not sure if that was a good idea...guess I'd have to see it actually put together the other way. Moreover, Scott, softy that he is, decided to let Clarence(Christian Slater) live at the end...well, I guess I'm a softy too, and I'm glad Clarence survived, although the original ending might've been really cool also. On the other hand, maybe I'd have wanted to throw my shoe at the screen. Certainly it would've injected a moralistic note, whether Tarantino intended that or not.

But I still really love True Romance, and it's my favorite Tarantino film...even if he isn't the director, it's hard not to view him as the auteur. Even though Tony Scott's shooting style couldn't be more different from Tarantino's, he still puts the writing front and center, and the writing is balls-out great. It comes across immediately in the "I'd fuck Elvis" discussion in the bar at the beginning...if you're not completely sold after Clarence's encounter with Drexel (a very vile dread-lock'd Gary Oldman), you're an asshole. That scene is followed hard upon by Dennis Hopper's "Sicilians spawned by niggers" disquisition,which is totally classic...the stuff with Clarence's dimwit buddies in Hollywood is pretty fabulous too, as is the vicious confrontation between Patricia Arquette and James Gandolfini, the scene that completely made his career. All the movie-producer stuff is particularly hilarious and well-observed. I think Tarantino would've done a better job than Scott if he'd been behind the camera, but Scott didn't give him too much to complain about...Tarantino was willing to work for him in a script doctor capacity on Crimson Tide, I understand.

The romance between Clarence and Alabama is particularly sweet and affecting...all the principals knock it out of the park, and so do the supporting players...movie's full of great character actors, such as Ed Lauter, Tom Sizemore, Chris Penn, Bronson Pinchot, Michael Rapaport, and Saul Rubinek....you also have cameos by Val Kilmer and Brad Pitt ("get some...cleaning products").Tony Scott followed all the musical selections that Tarantino suggested in his script, and that was an extremely wise approach. Scott likes to shoot things rather too close for my money, but his compositions are good...it's a handsome film, I will concede.

Get the director's cut. In the theatrical version, all the violence is clipped, and the climax suffers very badly...it's censored to the point of being incoherent.

15.Pulp Fiction 1994
I like this one less than True Romance, although I think the direction is better. I think it gets off to an amazing start and sustains itself very nicely for a while, although it drops the ball after the Bruce Willis sequence...but more about that later.

Also, I think Mr. Tarantino should go back to working with Roger Avary, especially now that Roger has gotten out of prison. Avary worked with him on Dogs, Romance, and this, and Tarantino's stuff post-Avary has simply been nowhere near as good as the pre-stuff. I suspect a situation along the lines of the relationship between Woody Allen and Marshall Brickman. I suppose I could be mistaken, though...there hasn't been anything remarkable about Avary's work since PF.

Movie breaks down into a series of stories, structured elliptically. For example, Travolta's character gets killed about midway through, but he's present at the beginning, and via flashback, at the end. The original True Romance script featured similar shenanigans, as I've already mentioned...I'd be curious to see what Tarantino's rationale is. He tends to think in long sections, big chunks of dialogue, and he seems to think they're a lot more modular and interchangeable than they are...the individual sequences are frequently very cool, although his movies generally have a jerky stop-and-start quality, with no narrative flow...Inglorious Basterds was like that in spades.

Much of Pulp Fiction works really well, however. It's four-fifths of a perfect flick, and that's something...but the movie peaks with the Bruce Willis sequence, which is genuinely harrowing, and following that with the cleaning-products blood-and-brains thing is a terrible mistake. Moreover, once you start to notice how  Tarantino's characters all sound exactly the same, you never forget it. If you see that Grindhouse Deathproof flick, everyone, Russell, the girls, Tarantino himself..sounds like Tarantino. And maybe, just maybe, it would be better if someone sounded, occasionally...

Like Roget Avary.

16.A Hero Never Dies 1998
Along with Stephen Chow, Johnny To is my favorite Hong Kong Film-maker, and unlike Stephen Chow, whose output these days has slowed to a crawl, To just keeps pumping 'em out. He also works in just about every Hong Kong genre you can think of. He does ghost stuff, martial arts, romances, comedies, police thrillers, and last but not least, gangster movies, for which, I guess, he's principally known in the west. Well, A Hero never Dies is tied with Heroic Trio for my number one Johnny To movie; it's a nifty, fast paced hybrid of Spaghetti Western and Hong Kong crime flick...I'm amazed that no one's ever done an American remake.

Story centers on Jack (Leon Lai) and Martin(Lau Ching-Wan), two hit men who work for rival HK triads, really respect each other's work, but don't care too much for their own bosses. Flick begins in Thailand, where Jack's boss has gone to seek advice from "Mr. Fortune Teller," who berates him for not following previous counsel, and whacks him with a stick...watching the humiliation of his boss in utter disgust, Jack pulls a gun, shoots up the place, then asks the seer if he's going to get shot today.

The oracle winds up taking one through the ankle.

On the way home, the motorcade is ambushed by Martin, who raises hell with a sniper-rifle, but doesn't quite manage to kill Jack's boss... returning to HK, Jack rips up Martin's apartment, whereupon the two wind up at the same bar, and engage in a bunch of weird one-upsmanship with coins and wine-bottles before settling into some comfortable noble-adversary male bonding, "Sukiyaki" playing in the background. Outside, afterwards, Martin's girlfriend (Fiona Leung) dispenses advice to Jack's (Yoyo Mung) on how to be a better gangster moll.

From there it's back to Thailand, where the gangs are hunting each other and trying to locate a drug warlord, and Martin is dispatched to ask advice from Mr. Fortune-teller...having heard about Jack's ankle-shooting activities, Martin cracks up at the sight of the old man's bandage, and can't help asking him is he's going to be shot today. Bang, Mr. Fortune Teller takes one in his good foot.

Martin hits the rival gang in a nasty shootout at a jungle roadhouse...Jack's boss acts in a very cowardly way, totally humiliating himself, accidentally killing one of his own men as Jack watches. Martin slaughters just about everybody, but he and Jack wind up filling each other full of bullets...Jack's boss abandons him in a Thai hospital, and Martin winds up having his legs amputated, his boss abandoning him too. Jack's girlfriend gets hideously burned protecting him from his boss's henchmen...Martin's girlfriend gets him back to Hong Kong, where the two bosses have reconciled...when she berates them for the way they treat their henchmen, Martin's boss blows her away.

All this is just the setup. Martin rises from his sweaty torpor and stages a sniper-attack against the bosses...fatally wounded, he gets in touch with Jack, telling him to come back and avenge him...then Martin drags himself right back to the same rooftop try to another attack! Some time later, we see him poised to shoot, then realize he's dead when a fly lands on his face. After mercy-killing his girlfriend, Jack returns, collects Martin's body, and rolls him, like a wheelchair-mounted El Cid, into the final confrontation with the bosses and their horde of lackeys...the sight of gloriously dead Martin in his white cowboy hat being knocked about by bullets as the impacts cause the guns in either hand to discharge is truly jaw-droppingly something, primo Hong Kong cinema. Eventually, once all the spear-carriers are finished, and the bosses are down, Jack, a human sieve by this point, shoots Martin's boss in the head with a gun in Martin's dead fist. Jack collapses...end titles...

Sukiyaki.

This thing just left me grinning. Lau Ching Wan and Leon Lai are superb, the story is first rate...it packs a huge amount of stuff into a very concise 85 minutes. This was the first Milkyway Image movie, and there have been a lot of good ones since. If you're a gangster movie fan, you should watch this, then pick up every other Johnny To gangster movie....some are less good than others, but all of them serve up some remarkable stuff. My only caveat is that To's been putting long stretches of English dialogue into his movies lately, and his ostensible English speakers really aren't up to it. But other than that, his work is really cool. He's always coming up with fresh variations on gun-battles, and that goes a long way with me.

17.Sexy Beast 2000
I already discussed this over on the Villains list, but I don't mind talking about it again. This is another England-is-shitty gangster go-round, although most of it takes place in sunny Spain, which just makes the English stuff look shittier. The protagonist, Gel(Ray Winstone) even describes England as a "real shithole," "every cunt walking around with a long face." There is liberal, liberal use of the cunt-word, if that's your cup of tea, but---I'm getting ahead of myself here.

Gel is a retired English heistmeister who's retired to Al-Andalus. He's got a gorgeous ex-porn star wife, DeeDee (Amanda Redman) who he loves "like a leopard loves his mate in the jungle." They pal around with Aitch (Cavan Kendall) a hilarious but nearly unintelligible cockney, and Aitch's wife Jacky, (Julianne White)...among other things, this movie is a wonderful argument for sexy middle-aged women. The quartet cooks out (big fat juicy sausages), they eat out, they guzzle champagne...whenever they're not dodging boulders that roll downhill and fall into their azure swimming-pools, they're just "fan-debbidozy-tastic."

But Gel's past catches up to him in the person of Don Logan (Ben Kingsley), a vile emissary from the London gangster Teddy Bess (Ian McShane, in a role which did wonderful things for his career). Bess is mounting a safe-deposit robbery (which seems to be based on the real-life caper that inspired The Bank Job), and he wants to recruit Gel. Logan, whom Kingsley claims is based on his grandmother (!), uses every kind of threat and obscene browbeating to try to persuade Gel to join up, but Gel has no intention of returning to his dank cunt-filled homeland, and he just hunkers down and endures the storm, finally seeing an opening when Logan reveals that he's still got a thing for Jacky, who he had an affair with long ago. Gel uses this on him, and Logan retreats, only to get incredibly pissed off while his plane's on the tarmac, and come roaring back to Gel's place...

The direction, by Brian Glazer, just crackles...the movie's started making lists of best British films ever, and it should. Kingsley is simply hellish, and if indeed Logan is based on his granny, I'm glad I didn't grow up Kingsley. Ian McShane is, in some respects, even scarier than Kingsley, although in a totally different way...he isn't in the movie as much. Ray Winstone holds his own in the middle of all this sound and fury with a wonderful rumbly teddy bear laid-back performance that's an excellent counterpoint to the heavies. Moreover, I love Amanda Redman. Movie ends with a perfectly-chosen Dean Martin song...you cunts really need to catch this one.

18. Way of the Gun 2000
This was Christopher McQuarrie's follow-up to The Usual Suspects, and it's a very different kettle of fish. McQuarrie's primary lookout was complete creative control, he got what he wanted, and a lot of people were unhappy with him. The movie was way under appreciated when it first came out, although it's been gaining a reputation since then....the dialogue ("I can promise you a day of reckoning that you will not live long enough to never forget") gets in your head and stays there, but a lot of the critics were put off by the tone, which is extremely brutal. Everybody was expecting a Tarantino-esque piece, and boy they sure didn't get it. Among other things, the movie's a meditation on sperm-merchandising, abortionists, child-molesters, old age, Divine Justice, and the Natural Law, and it really doesn't give a fuck if you like the characters.

I loved it.

Two guys calling themselves Parker and Longbaugh (the actual names of Butch Cassidy and the Sundance Kid) played by Ryan Phillipe and Benicio Del Toro, are bopping about the southwest doing really rotten things. The film's sunniest bit comes right at the beginning, in which they slug the crap out of trash-talking Sarah Silverman outside a nightclub, then laugh as they absorb a mass beating from a huge crowd of her friends...I really appreciated this scene because I'm sick and tired of movie tough chicks. I know it's impolitic to say so, but tough guys really are tougher than tough chicks. As Aristotle says, the truth must be preferred.

Anyway, our boys are between crimes at the moment, and selling shots of cum to get by...when they're in a clinic, they overhear a conversation about a pregnant woman (Juliette Lewis) who's a surrogate for a rich childless couple called the Chidducks (shitticks?). Deciding to hold her for ransom, Parker and Longbaugh snatch her out from under the noses of her not particularly competent bodyguards.

But Mr. Chidduck is a gangster, and has much more dangerous retainers than those clowns, and in comes old, fucked-up, crick-necked Joe Sarno, (James Caan, in one of his best performances), who puts the guards---whom he calls cufflinks--- repeatedly in their crappy places. Saying things like "ajudicate" a lot, he locates Parker and Longbaugh down in Mehico pretty damn quick, and in his capacity as a bagman, offers a deal, which they refuse. The cufflinks arrive on the scene soon afterwards, and after a shootout with some Mexican cops, take the girl to a brothel to deliver her baby. Parker and Longbaugh follow; Sarno whistles up a squad of suicidal ex-cops to settle the kidnappers' hash....

The final gunfight, staged by MacQuarrie's ex-Seal brother, is a fine example of American action film-making. It's plausible, you can follow everybody's movements, and you get a good grasp of the geography....there's mucho shooting through walls and a scene with a bunch of broken bottles which will simply make you cringe. A gun nut philosophy professor colleague of my wife's judged it the best gunfight since the climax of the Wild Bunch...at the very least, it's on a par with the final leadfest in LA Confidential, although that's still pretty high praise.

Nifty score by Joe Kraemer, by the way.

Until that day...

19.Company 2002
When most people hear Bollywood, they think of silly musical romances with song-and-dance numbers that go on for ever and women with screechy voices; but all sorts of movies get made over there, and a lot of the very best Hindi films are gangster flicks,which can stand comparison with gangster movies from anywhere, American, British, HK, you name it. Fact is, India has a major and long-established gangster culture...I might point out that the Thuggee cult was a spectacular example of organized crime. Gangsters are heavily intertwined with many big aspects of Indian life...there are mobs based on ethnic and religious identity, and they're heavily, heavily involved in politics and terrorism. The gangsters themselves frequently run for office...sometimes they have to, because it's the only way they can stay out of jail---members of Parliament can't be arrested. Take Phoolan Devi for instance, the so-called "Bandit Queen." After being raped by Indian troops, she organized a ferocious dacoit insurgency, murdered scads of people, ran for office, served in the parliament for twelve years, then left and was blown to bits.

People who complain about US politicians should take a squint at Mother India.

Anyway, Company is based loosely on the life of Daud Ibrahim, an actual gangster, and the most feared member of the Indian underworld...he fled to Dubai a while ago, although he's still running the rackets from there, and is tied in to all sorts of Muslim-Pakistani terrorism. His gang is called D-Company, D standing for Daud; he made most of his money by shaking down wealthy contractors. In the movie, he's called Malik, and is well played with smoldering somnolent menace by Ajay Devgan. We see him rising through the ranks in the Mumbai mob; once he's on top, he takes young Chandu, (Vivek Oberoi,) under his wing. Soon, Malik is forced to flee to Hong Kong, where he intends to keep administering his Indian concerns...but back home in Mumbai, Chandu is getting too big for his britches, and the two are soon at loggerheads, partially because of a lethal misunderstanding. Before long Chandu is on the run all over the place, and winds in Kenya, where we get a beautifully staged rooftop chase, vastly better than your typical Indian action sequence. Ultimately Chandu surrenders to Indian cops, winds up in prison back home, and he and Malik are reconciled, sort of, but it doesn't end there...

The movie's directed by Ram Gopal Varma, who's the new-wavish bad-boy of modern Indian film...he really does work of a pretty high standard, and Company is hands down his best flick...it's a prime contender for best Bollywood film ever. He's also made some other very good gangster epics, notably Satya, and a quasi Godfather-remake called Sarkar, which spawned a sequel, Sarkar Raj, which was even better than its predecessor. Following in the footsteps of Mr. Coppola was an extremely ballsy thing to do, but Mr. Varma pulled it off. I've recommended the Sarkar movies to some pretty vehement Godfather freaks, and they've pronounced themselves impressed...

By the way, I really like Hindi musicals too, but that's outside the scope of this discussion.

20. Exiled 2006
This is another excellent Johnny To movie. It's not exactly a sequel to To's The Mission, but it comes pretty close, reuniting a lot of the same stars, and involving a plot that sure seems like a followup to the other movie. In The Mission, we had Anthony Wong, Roy Cheung, Francis Ng, and Lam Suet as a team of HK hitmen who become great friends while ferretting out and destroying the mysterious forces that are threatening their boss, Blacky Ko...once he's out of danger, it comes out that a junior member of their squad has been screwing the boss's wife, and the order comes down to kill the kid, occasioning much anguish.Ultimately, the kid winds up off the hooks, with orders from his buddies to skeedaddle and never show his face in HK again.

In Exiled, the setting is Macao...Nick Cheung (who used to be one of many replacement Stephen Chows for Wong Jing, and has now found a much cooler niche in crime flicks)plays a character who seems rather like the kid from The Mission...only he's come back from exile, most ill-advisedly, with a wife and kid in tow. The boss this go-round is played by Simon Yam, and he renews the contract on the kid...Wong, Roy Cheung, Ng, and Suet descend on Nick Cheung's apartment building, some willing to go through with the hit, others determined to protect him. Even though Anthony Wong means to pop him eventually, he agrees to a reprieve, so that the guys can make some money and provide for the wife and baby. They contact a middle man...he tells them about a job...but it turns out that the hit was ordered By Simon Yam, and when they arrive at a restaurant to do the wetwork, they find him conducting last-minute negotiations with their target. A series of highly original gun-battles erupt. Both sides bring their wounded to a underworld hospital...Yam's caught a slug in the nuts, and is in the process of having it removed when he learns Nick Cheung has been brought to the same hospital...Yam is such a fearsome son-of-a-bitch that he keeps on shooting even as the doctor is extracting the bullet! Nick Cheung winds up getting thrown out a window and dies pretty awfully...his buds decide to go ahead with the bullion heist, take care of wifey, and settle with their one-time boss. The closing kill-o-rama in the atrium of a big old Portuguese hotel is a real standout, luscious balletic slow-motion stuff, with great big bursts of scarlet vapor bursting out of the falling, twisting, turning, flipping bodies. I suspect the squibs were actually loaded with some sort of powder....the whole thing takes place while an empty soda-can our boys have kicking around is flying up and coming down.

I should add that there are a couple more To gangster flicks that nearly made the list, both of them good vehicles, among other things, for the totally reinvented Nick Cheung...Election 1 and 2 are excellent gangster fixes, revolving around Simon Yam as a boss who's trying to enlist other mobsters in his quest to become the HK Triad chairman of the board, partly by murder, partly by politicking, and partly by acquiring a ceremonial mob baton. The end of the first flick, where Yam's rival Tony Leung gets wiped out, is astonishingly shocking...the second movie has some stuff involving sledgehammers and feeding human meat to doggies that will have you squirming in your seat. In both films, Nick Cheung plays a consummate bonehead criminal whose sights are set really really low...marvellous characterization. These movies deserve to be on a list...I just don't like them quite as much as Exiled or Hero Never Dies. You might feel differently.

Wednesday, October 6, 2010

Lilitu Chapter 3


Hey, here's some more Lilitu:


Chapter 3
After several days weighing what Sayida had told her about Shiraz, Lilitu decided she'd better speak to Hamid. He was in the hall that served as his audience chamber, acting in his capacity as Sawaliyeh's chief magistrate, listening to a dispute about a cow and looking very bored. Two of his tenants were standing in front of his high seat, shouting at each other; aside from occasionally asking them not to be so loud, he was doing very little---he only asked one question, and that was towards the end, and Lilitu didn't think it was relevant to much of anything. Finally, he simply stood up, said: "Judgement to the accused," and made off towards a doorway on the right. One tenant raised a howl of triumph, quite horrible to hear; the other man hurled himself at him, but guards separated them and dragged them both away as Lilitu ran after Hamid.
"I need to speak to you," she said.
"Make it quick," he replied. "I'm going hawking."
"With Shiraz?"
"What do you want?" he asked impatiently.
"We should go somewhere else."
Just up the corridor was the room where Hamid robed himself for his audiences.
"Now then," he said, after closing the door.
Lilitu demanded: "Are you going to marry that woman?"
"Don't take that tone with me---"
"Are you?"
"You have some objection?"
Lilitu nodded. "She betrayed her husband---"
He winced and raised his hand.
Undaunted, Lilitu continued: "Sayida isn't his daughter---"
"Who told you this?"
Lilitu just stared at him; for the first time she realized that she would get Sayida in terrible trouble.
"Who?"
"I can't tell you."
Hamid said: "If you're going to make such accusations---"
"You have to trust me," Lilitu said.
"Lilitu," he replied, "among other things, I'm a judge. I can't accept an accusation without evidence---"
Lilitu crossed her arms on her chest. "Evidence."
"Yes."
"What evidence did you get from those farmers yelling and screaming just now?"
"What does that have to do with Shiraz?"
She almost told him that he didn't need evidence because he wasn't much of a judge, but realized at the last instant that this would be a disastrous line to take; there was the matter of her resemblence to Sayida, but she didn't have the heart to rub salt in that particular wound. At last she said simply:
"Don't marry her, please."
"Why are you so concerned?" he asked. "Let's assume you're telling the truth. She sounds just like your mother. You loved your mother, didn't you?"
"Father.''
He said wearily: "You really should stop with that, at least when it's just the two of us. I'm not your father, and we both know it. Now if you're worried that I'm going to cast you out, you needn't. You'll always have a roof over your head. But you shouldn't presume too much. I advise you to stay on good terms with Shiraz, and stop making up lies about her."
"I'm not lying."
"Then tell me where you came by the information."
"I can't."
"Then I can't believe you," Hamid answered. "You really should go and let me change out of these robes. As I said, I'm going hawking.''


That night, Lilitu was about to settle down and begin a very malicious poem about someone just like Shiraz when she remembered she'd cut the last of her reed-pens to a mere nub, and she went downstairs to the store-room where the writing supplies were kept. While she was there, she also took a large sheaf of cotton-rag paper and a jar of ink-black; clutching the supplies to her breast, she headed back upstairs, and, rounding a corner---
Found herself face to face with Shiraz.
The two stood staring at each other for a few moments; hair unbound, down over her shoulders, Shiraz twitched that smile; her eyes gleamed, sockets very dark. She seemed to be working herself up to say something, but when she didn't, Lilitu just breathed out through her nostrils and stepped round her, heading past the room where her mother had died.
Then she heard cloth rustling, and soft swift footsteps---Shiraz was coming up behind her.
What's this? Lilitu thought, just as the footsteps paused; there came the sound of a door being opened, and then the footsteps started up again. Lilitu started to run, but The Monster reached over the top of her head and seized her by the bangs, dragging her back, into the room, flinging her onto her mother's deathbed. Shiraz stood glaring at her, then backed towards the door and kicked it shut with her heel.
"You know," she said. "I wanted to be friends with you, really I did. But I'm afraid you've left me no choice."
Still holding her supplies tightly against her chest, Lilitu sat up. The gloom wasn't too thick, as the room was whitewashed, and there was moonlight through the lattices; Shiraz began to pace back and forth, each time more swiftly, a dark striding silhouette.
"I might've known, of course," she said. "Like mother, like daughter. But I'm not going to lie down and take it this time---"
"What are you talking about?" Lilitu asked.
With that, Shiraz rushed at her, seized her ear, and twisted it fiercely. Lilitu yowled.
"Shut up!" Shiraz hissed, and twisted it again. "Shut up, or I'll wrench it right off, you little bitch!"
"What have I done?" Lilitu whispered.
Shiraz let Lilitu's ear go, but jabbed a nail-point into her nose. Lilitu dropped her supplies at last and clapped both hands over her face.
"You've been trying to cut my legs out from under me," Shiraz said. "Telling stupid lies. But your father doesn't trust you.''
Oh my God, Lilitu thought. That horrible fool…
Shiraz went on: "He told me what you'd said, this afternoon.''
"If he thinks I'm a liar,'' Lilitu replied, "why would he have asked you about it?''
Immediately Shiraz pinched Lilitu's upper arm between thumb and forefinger.
"I...don't…know," she said, twisting at each word. Then she slapped the stinging flesh, and allowed: "Perhaps he was a bit worried. But I must've put his fears to rest. He asked me to marry him.''
Lilitu bit her lip.
"If I were you, my dear," Shiraz said, "I would lie very low from now on.''
As though she had done something to her neck, she turned her head sharply to one side, hair flying about her face. Lilitu heard a soft pop. Then Shiraz straightened her garments, brushed her locks back with her palms, and swept from the sickroom.


The wedding was arranged with most indecent haste; Lilitu told Sayida that Hamid should've saved the food left over from Rahminah's funeral.
"Why?" Sayida asked.
"So he could serve it again at his wedding," Lilitu replied.
"Wasn't the funeral two months ago?"
"Yes."
"Food doesn't keep that long."
"I know," Lilitu said.
"You're always making jokes that I don't get," Sayida said.
"I know," Lilitu replied.


There was, needless to say, no time for guests to be summoned from very far off, so Hamid and Shiraz had to limit themselves to notables in the nearest oases. Among these worthies was the Fig-Protector Nasruddin Ben-Abdullah, Lord of Al-Baradh, an old friend of Hamid's; Nasruddin brought most of his family, including his lanky sixteen-year old son Akbar. Having ceded Oded---at least temporarily---to Sayida, and desperately in need of something to keep her mind off the wedding itself, Lilitu found herself paying very close attention to Akbar, who was funny looking, but interesting in a peculiar sort of way; deciding she really needed to sit next to him at the feast, she changed places with Sayida, observing everything he did, and taking every opportunity to engage him in conversation. It took a while, but ultimately they found something they were both interested in---natural philosophy. They didn't, of course, discuss the subject Lilitu was most intrigued by, but there were other matters almost as fascinating; he was very knowledgeable about insects and reptiles, and they began swapping stories about specimens they'd caught. When Lilitu told him about the time she'd pinned a young night-viper with a forked stick, he looked at her with positive worship in his eyes, which were very large and definitely the best thing about him.
"Now to be honest," she felt compelled to add, "the snake had a jerboa halfway down its throat, and I had an easier time than I might have otherwise."
"Did you pick it up?" Akbar asked.
"Yes," Lilitu said. "But I tossed it away, because you have to hold snakes right behind the head, and its throat was all swelled up with that jerboa, and it felt very unpleasant."
"Your father lets you go walking about at night?"
"No, but I sneak out sometimes.'' Suddenly a thought occurred to her. "The moon's full tonight. Why don't we go snake-hunting?"
He glanced over at his parents. "I don't know.''
"Everyone's drunk," Lilitu prodded. ''They won't notice."
"I'm not sure...''
"Come on. When my father and that woman go upstairs, and everyone makes a big fuss, we'll just slip out."
Akbar thought a bit more, then nodded.


The moon was well up as they left the house, the whole sky blue-grey with its light, only the brightest stars still visible through the glow. Shadows of fig leaves made a mottled pattern on the ground. Lilitu took the shortest path through the grove, and they soon came to the edge of the oasis. Beyond the trees was a strip of low brushy stuff, then dunes.
"Better get snake-sticks," Lilitu said.
They cracked a couple of branches off the fig trees, then proceeded into the grass.
"Keep your eyes peeled," Lilitu said. "Vipers come looking for the jerboas, who live under these bushes...see, there goes a jerboa now!"
"Where?" Akbar asked.
"He's gone already. We'll probably see some more. Lots of toads around here too. And scorpions. Ever been stung by a scorpion?"
"Yes. Wasn't so bad."
"Must've been one of those little brown ones. Have to watch out for the big black kind, though."
"That's for sure---"
"Toad!" Lilitu cried, and she caught it and showed it to him, holding it by the back so it couldn't squirt her. "These fellows make a lot of noise after it rains. They sound like some sort of strange cow, and you think, that can't be just a toad, but it is. If you're near a pond, it's incredible. Six of them will jump on one female. It doesn't look very nice." She put the toad down, and even though it hadn't managed to pee on her, she wiped her hands on her robes anyway.
"Then why do you watch?" Akbar asked.
"Oh, I only did it once or twice. Watch the toads, that is. Don't you watch animals mating?"
He laughed. "A couple of slaves, once."
Her first thought was that she should make some expression of distaste, but she wanted him to continue, and asked:
"Didn't they know you were there?"
"Yes. My father wanted me to learn about men and women, so he ordered them to show me.'' He paused. "I don't think I should be discussing this with you."
"I don't mind," Lilitu answered. "And anyway, you're out here with me alone, and that's worse than just talking about anything."
"We haven't done anything bad."
"No one would believe that---scorpion!" she pointed it out with her stick.
Akbar pinned the creature to the earth with his stick, then told her: "I've never met a girl like you.''
''Is that a compliment?" she asked.
"I suppose," he answered, then let the scorpion run off.


They continued towards the dunes in silence, halting on the bank of a dry stream-bed that marked the boundary between the brush and the sand. Its floor was made up of small rounded stones; having seen them in the daylight, Lilitu knew they were every color imaginable, although in the moonlight, they were all shades of blue-grey. The dunes, however, were very pale, and had a lovely silvery look.
"Do you want to keep looking for snakes, or go up on the dunes?" Lilitu asked.
"Dunes," Akbar said.
They made for the highest, crossing several smaller ones before they came to it; as they reached its foot, Lilitu noticed, to her very great surprise, something wriggling its way down the slope towards them.
"Some kind of viper," Lilitu said, deducing this from the way it moved. "Big fat one."
"I thought you said they liked the grass," Akbar said.
"They do. Maybe it got lost. Seems to be heading right for us."
"Let's wait."
Apparently having seen them, the snake altered its course, squirming away to the right, but still coming down the slant. They ran after it.
"Night-viper," Lilitu said. "Get in front of it."
"Why?" Akbar asked.
"To distract it while I come up in back.''
"I don't know...''
"Come on," she answered. As the snake neared the bottom of the slope, Akbar planted himself a couple of yards ahead of it while Lilitu, racing along the slant, got behind it. When the snake halted, she brought her stick down on its neck, then bent and seized the reptile behind the head, holding it up. It was a good two feet long, and very thick.
Akbar came up and admired it, then showed Lilitu an awestruck smile, pathetic and endearing all at once.
"Will you marry me?" he asked.
"You're not serious," she said.
"I think I am.''
''You think you are?''
''I would like to kiss you, at least."
Lilitu looked at the snake, then him, then back at the snake.
"All right," she said, and tossed the viper. She watched it slither away, then turned to Akbar and wiped her hand.
"Should we sit down, or what?'' he asked.
"We can do it that way," she said, but within seconds of her first kiss, she was straddling him. A hard ridge rose up at the bottom of his belly, running slightly off to the side; she knew what that was, and although she was somewhat surprised it had sprung up so quickly, she began to rub on it.
"You're not very ladylike," he said, gasping for air.
"I take after my mother," she said, and planted her lips on his again. It occurred to her that this was not entirely fair to her mother, since Rahminah had reformed her life; but it was also indisputably true that Rahminah's inclinations---which Lilitu plainly shared---had resulted in ample behavior to repent. And so Lilitu, telling herself that she really didn't have any choice, at least until she got older, decided she'd really better do whatever she pleased to the boy lying pleasantly prone between her legs.


Things didn't go very smoothly, however.
Akbar might've watched some slaves at some point, but he still didn't have the slightest idea of what to do. It was a while before he would let her put her tongue in his mouth, and while he knew some of the places to touch, he didn't touch them very skillfully. It didn't even seem to occur to him to undress her; for that matter, he didn't even seem to realize he had to get his own clothes off, and she had to do that too, at least pull his trousers down. When he tried to mount her, Lilitu had to put it in for him, and while the taking of her virginity didn't hurt too much, he finished far too soon.


Afterwards, he acted rather proud of himself, but she, needless to say, was most disappointed. She managed to control her temper, however, and he never even noticed she was displeased; also, she was still very interested---as lackluster as the event had been, she still wanted more, and told herself that they might simply need practice.
At any rate, things went just well enough that they resolved to try it again.


The following night, in roughly the same spot (which they got to much more quickly, not stopping for toads this time) things went rather better; the night after that was genuinely agreeable.
Then he left with his family.
Lilitu wasn't exactly stricken; he was good company, and had improved as a partner over those three nights; if he wasn't better than masturbation, he had, by getting her all excited, made masturbation somewhat easier when she returned to the house.
But he wasn't the love of her life, she was fairly sure of that, even if he did appreciate her skill at snake-catching, and her other, even more profoundly un-ladylike characteristics. Sayida, upon learning that Lilitu had used him to dispense with her maidenhood, postively encouraged her to forget about him.
"Unless you're pregnant," Sayida said. "Then you might want to send him a letter, see if you can get him to talk his parents into letting him marry you."
"I'm not going to get pregnant," Lilitu said.
"How do you know?"
"I was an only child."
"So?"
"My mother didn't get pregnant easily. And she slept with all sorts of men. Not just my foster-father, or whatever we want to call him."
"You still might," Sayida said. "There's a herb that I take---my mother taught me about it. 'Don't fool around with boys, but if you do, don't you dare get pregnant.' That's what she said. Anyway, it just puts your womb to sleep. I picked a bunch just yesterday. I'll give you some. Next time you think you're going to be with a boy, eat a leaf or two."
"I don't think I'll need any for a while."
"Why?" Sayida asked. "Because Akbar is gone? Would you like to try Oded?"
Lilitu was astonished at the offer.
"Isn't it about time you did something really wicked?" Sayida asked.
"I already---''
"Did it with Akbar, sure. But he's a nobleman's son. Your... whatever probably wouldn't mind marrying you off to him. But Oded...he's hired help. Traaaash. And every time you look at your whatever, you can think to yourself, I don't respect him, and I've really proved it."
"There's that," Lilitu said.
"Really," Sayida said. "I'd be happy to loan Oded to you, and you'll really enjoy it. I've got him all properly trained. Taught him to use his hands and his tongue, and to keep himself in check till I'm done...but you have to let me watch."
"Do I?"
"Do you mind?"
"Let me sleep on it," Lilitu said.
She had most lascivious dreams that night.


Sitting on the marble fountain-rim, Sayida ran her fingertips through the water, then turned back to Lilitu. Deep dimples forming at the corners of her mouth, she smiled lewdly, and said:
"So then."
"You can watch," Lilitu answered.
"What if I want to join in?" Sayida asked.
"With him? Or me?"
"Both,'' Sayida said.
"Let me see how things are going," Lilitu replied.
Sayida patted the fountain-rim. "Sit down, please."
Lilitu sat beside her asking:
"Do you have someplace---"
Sayida nodded. "An old brick hut. I bet you know it. We swept it out, and brought some blankets and cushions...''
She took Lilitu's hand, and stroked her between the fingers, staring her in the eyes; then she gave her a soft light peck on the cheek, which Lilitu voiced no objection to.


Lilitu went with her after Hamid retired with Shiraz. The moon was well past full by that time, but Sayida led the way swiftly and surely by its light, down towards the spring. Surrounded by tall reeds and palm-trees, the hut stood right on the water's edge---Lilitu had spent some time mucking around on the lakeshore, looking for frogs and turtles, and remembered the family that had once lived in the hut---they'd moved after one of the children drowned.
"I've heard this place is haunted," she said, as they approached the little house.
"That must be why everyone stays away," Sayida said. "Convenient."
She knocked on the door, swung it open. "Oded!"
"Here!" he replied. Lilitu saw him stand up on the other side of the shadowy single room, a dark shape against the window, curly hair fringed by the light; clearly making out that narrow waist, and the curves of muscle in his shoulders and arms, she became aware that her heart was beating very fast. Akbar had never excited her so much, even when they were actually in the midst of making love, but the mere sight of Oded's silhouette was making her pulse race.
Sayida motioned her inside, then closed the door. Even with it shut, there was still moonlight from the window beside it; Lilitu discerned the blankets and cushions Sayida had mentioned. Oded stepped forward into the glow. He was wearing knee-length trousers; on his feet were rope sandals, and there was a crude metal medallion, copper, or so Lilitu guessed, on his chest. She'd never seen it before.
"Hello, Oded," she said.
He bowed. "My Lady."
"Take your pants down,'' Sayida told him. "Show her what you've got."
He smiled, teeth gleaming in his dark face, undid his belt, and pulled his pants down.
Lilitu put her hands to her mouth, giving a soft gasp.
"Isn't that something?" Sayida asked.
"Yes," Lilitu answered.
"Go on," Sayida said. "Grab it."
Lilitu advanced hesitantly, paused. Sayida pushed her forward. Lilitu extended her hand, touched him tentatively, then pulled her hand back with another laugh.
"What is this?" Sayida asked. "I thought you said you did it with Akbar."
"I did," Lilitu answered. "But he wasn't so...''
"Scary and purple?"
"Not even remotely."
"Well, the bigger the better. Don't be shy."
"Maybe you should start,'' Lilitu said.
"Oh very well," Sayida said. "If you insist." She knelt in front of him. "Now watch very carefully. It's possible to make friends with these things, no matter how scary and purple they are."
Lilitu moved closer, and knelt beside her to observe. After performing a succession of marvels, Sayida turned and asked:
"Would you like a turn?"
Lilitu blinked.
"Would you?" Sayida repeated.
Lilitu changed places with her, and with Sayida stroking her hair and whispering advice, she soon found that she was capable of marvels of her own.


Once Oded was exhausted, they bathed in the lake---there was a little sandy beach behind the hut---then headed back to the mansion, Lilitu and Sayida together, Oded by a different route.
"Was he all you'd hoped?" Sayida asked.
"He's really quite stupid," Lilitu said.
"Toys don't need brains.''
"True."
"How did you like him as a toy?"
"Very nice," Lilitu said.
They went on a way in silence beneath the palms. Then Lilitu said:
"I thought you were going to...''
"Yes?"
"Share me with him."
"I wasn't sure if you wanted me to. You seemed to be having such a good time. And I was perfectly happy to watch, and tickle myself." She laughed. "Were you disappointed?"
"I don't know."
"I think that was a yes," Sayida answered, and took her by the hand.


Lilitu slept late the next day; she awoke very sore, but still desperate for some more of Oded. Hoping her cousin would set up another assignation, she went to Sayida's room, and found that she'd taken ill.
"Go ahead and speak to him yourself," Sayida said. "If I feel better, I'll join you."
Finding Oded hard at work polishing some brass; Lilitu arranged the tryst. Shortly before going to meet him, Lilitu went to see Sayida again, but Sayida was fast asleep, and Lilitu set out for the hut alone.
She was a bit apprehensive, knowing she wouldn't have Sayida to advise her, but when she and Oded got down to it, she managed just fine, and very much enjoyed his undivided attention. After coming so many times the night before, he seemed to have some difficulty coming tonight, but there were advantages to that; it all went off very well.
The trouble came afterward.
For no particular reason, she decided to take a chance and return with him. But as they were nearing the mansion, they came upon four soldiers drinking in a clearing; startled, the men-at-arms leaped to their feet, pulling out their swords.
"Who is that?" one demanded, a tall old broad-shouldered fellow named Nadjibullah.
"It's me!" Oded cried.
Nadjibullah got up close to him, squinting in the moonlight. "Gardener's son. And who's this you've got---"
Recognizing Lilitu, he broke off; she winced at his breath.
"My lady," Nadjibullah said. "What are you doing out at such an hour?"
"Having a walk," she said.
"An innocent little stroll?"he asked.
"Yes."
"All by yourselves?"
Lilitu scrambled for an excuse. "I like to go looking for snakes and things. Everyone knows that. Oded was out for a walk too, and he offered to escort me back."
The soldier gave a filthy laugh.
"It's true!" Lilitu protested.
"I think you'd better run on home, My Lady," Nadjibullah said, the other soldiers grunting in agreement.
Lilitu and Oded hurried from the clearing.
"They're going to tell my father, I just know it," Lilitu said.


Very nervous, she didn't sleep well, and was already awake when the knock came at the door; looking most flustered, the Lark informed Lilitu that her father wanted to see her urgently, in the audience-hall.
Oh God, Lilitu thought. Just as you feared...
Hoping frantically that she was mistaken, she got dressed, and went.
On the way, she tried to think of other things he might be summoning her about, but when she arrived, she found Hamid sitting in his Justice Seat and looking most unhappy about it, the expression on his face exactly what Lilitu would've expected if he'd been humiliated by the gardener's son. Sneering horrendously---Lilitu simply wanted to kill her---Shiraz was standing next to him. Quivering, face swollen with welts and smeared with blood, Oded was lying on the floor in front of them, Nadjibullah and another soldier standing over him. Wringing his hands, Oded's father was off to the side, face written with anguish.
"There you are," said Hamid to Lilitu, sounding more sick to his stomach than anything else.
"What is all this?" Lilitu asked.
"Your...friend here told us everything," Shiraz said.
"Told you what?" Lilitu asked.
"About you and him," Hamid said. "Last night, in the hut."
Oded looked at Lilitu with swollen eyes, his beauty utterly banished, at least for the time being. He said: "I'm sorry, My Lady---"
The guards looked to Hamid. He nodded, then looked away, and they began kicking Oded, Nadjibullah catching him in the face again and again. Blood splashed onto the floor from Oded's mouth; Lilitu saw a tooth come flying out.
"Stop it!" she cried, knowing Hamid had no relish for this sort of thing. He nodded again; the guards stopped.
"What are you going to do with us?" Lilitu asked.
"Haven't quite decided about you," Hamid said. "As for that---" He gestured towards Oded, "he's dishonored me and my family name, and---"
Shiraz leaned over and whispered in his ear.
"I think I'll have him hung," he said. "From that big tree, you know the one I mean."
"No!" Lilitu cried. "Don't kill him! It's all my fault."
Shiraz whispered again.
"Your mother says he must certainly die," he told Lilitu.
"She's not my mother!" Lilitu cried.
Shiraz smiled smugly, as if to say:
Thank God.
"She hates me!" Lilitu cried. "She wants him dead to hurt me! She doesn't care about this family.''
"And you do?" Hamid asked.
"Please!" Lilitu sobbed. "Don't kill him."
Hamid replied: "Give me a reason why I shouldn't."
"Let me speak to you alone."
"Don't let her," Shiraz told Hamid.
"I know of a very good reason,'' Lilitu said.
"Then give it to us," Shiraz replied.
"Us?" Lilitu asked. "Who's in charge here?"
Hamid chewed a horn of his moustache.
"Don't listen to her," Shiraz said.
But Hamid nodded to Lilitu. "Come," he said, and led her back to his robing-room. "Now then."
"He hasn't dishonored your family," she said.
"Hasn't he?"
Lilitu answered: "I'm not your daughter."
"Ah," he said. "Yes. There's that." He paused. "But everyone thinks you are."
"No one thinks I am. So why don't you just send him and his father away, and think of something appropriate to do to me?''
He stared at her, grimaced, looked down at the floor. Shaking his head, he slapped a hand to the back of his neck and said:
"I hate all this.''
"He doesn't deserve to die. Not over me. I'm worthless." Even after all that had happened, even though it was the right argument to make for Oded's sake, she still hoped Hamid might give some hint that he disagreed, but when he didn't, she took it in stride, continuing: "You've swallowed far worse. Let him live."
''I hate all this,'' he said again. "Shiraz will have my ears.'' "Stand up to her," Lilitu said. "The way you should've stood up to my mother."
"Aaah," he said disgustedly, and left her.
Thinking it would be best if she didn't go back to the audience-hall, she returned to her room by a different route; after a time, the Lark brought her a note from her father to the effect that she was confined to the chamber until further notice.
"What happened with Oded?" Lilitu asked the maid.
"They threw him out," the Lark said. "His father too."
Thank God, Lilitu thought, thinking she should try to thank Hamid. "If I wrote a note to my father, would you sneak it to him?"
"I wouldn't dare! If Shiraz caught me, she'd read it, you know. She tries to read everything that comes his way, even dispatches from Thangura. I've been beaten enough as it is."
"Forget it," Lilitu said.


Later that night, Lilitu was just about asleep when she heard scrabbling and rustling, and looked to see someone push the lattices inward and crawl in from the ledge.
"Don't worry!" came Sayida's voice. "It's just me."
In an instant, she was in under Lilitu's covers, snuggling up against her.
"How did you get up here?"
"Those vines, next to your window,'' Sayida answered.Surprised they hadn't just ripped loose from the side of the building, Lilitu said: ''You do smell rather like leaves at that.''
"I think it's very pleasant," Sayida said.
''It's very green.''
''How can you have a green smell?''
Lilitu didn't explain.
''What color is my breath?'' Sayida asked, and exhaled.
''Spicy...what do you want?''
''I heard you're confined to your room for a while. I thought I'd come over and comfort you."
"Or yourself? Since you won't have Oded to play with anymore?"
"Whatever," Sayida said, and put her arms around her. "You know, mother has strictly forbidden me to see you."
"Has she ever twisted your ear?"
"Half off," Sayida said. "She's done it to you, I take it?"
"Awhile back. When I was trying to keep her from marrying your stepfather."
"Well, I'm very embarrassed to hear it. Most depressing. Why don't we talk about something else?"
"Such as?"
"How we might comfort each other."
"What do you have in mind?" Lilitu said, aware that Sayida was already rubbing against one of her thighs.
"Kisses are extremely comforting. So is this---" Sayida put her hand on Lilitu's breast. "Feel better?"
"I'm not sure."
Sayida kissed Lilitu on the cheek, then on the mouth; she tried to slip her tongue in, but Lilitu kept her lips closed.
"Let me," Sayida said.
Increasingly...comforted by the feel of Sayida's hand on her breast, Lilitu was nonetheless unsure if she wanted to go much farther, especially if it involved another woman's saliva; just to stall, she started to ask Sayida what she'd been eating, but the instant Lilitu's lips opened, Sayida's tongue slipped through like something from an adder's mouth, and once the initial shock passed, Lilitu began giving as good as she got.
"Would you like me to teach you everything?" Sayida asked breathlessly, after a time.
"Please,'' Lilitu replied.

Monday, October 4, 2010

Jury Duty! Akk!


I just had a really awful jury-duty day...spent seven hours sitting around the jury-duty room with a bunch of other people watching Divorce Court and Judge Judy and The Price is Right...The price is Right is particularly horrifying. It involves fairly grotesque people in gaudy clothes trying strenuously to out-histrionic each other, thus proving that they're the rightful recipient of an outboard motor, etc. Man it was giving me chest pains, although...the tall thin black dude who gave us our instructions really had his patter down. Didn't make me any happier to be there, though.

Finally they herded us upstairs and told we were in the pool for a really huge double capital-murder case that was going to last seven weeks at least, and involve sequestration, holy shit. Every single other potential juror ( I think there were about a hundred and forty) went up before the judge ahead of me. But when I got int here, I employed an argument involving the World Fantasycon and how I had to go to that (wasn't lying), and that's why they shouldn't use me, and the judge(a looming afro-american magistrate with much gravitas) was very nice and said I could leave, but...man, that would've knocked my life into a cocked hat for a while.

Besides the judge and the instruction guy, some of the other courtroom characters were interesting...there was a funny ex-military Puerto Rican bailiff, and six high priced-looking defense attorneys in sharp suits, and a prosecutor who looked like a beautifully-coiffed Republican politician on the make, and his gorgeous tall blonde female assistant...the rest of us looked like shit, and very demoralized.

You should be glad you weren't there!

Hey, do you want some more Lilitu and Yark?